Michael Barrett is a San Antonio-based freelance writer who tries not to leave the house. He has degrees from Trinity University in San Antonio and University of California at Davis. He watches one film a day. In addition to his features and reviews on PopMatters, see also his PopMatters column, Canon Fodder. Since the early ‘90s he has written a monthly video column for the San Antonio Express-News, and his national publications include Library Journal and the Chicago-based Nostalgia Digest.
Features
Friday, June 5 2009
Clint Eastwood: American Icon Collection
Again in the Eastwood oeuvre, a man who thinks he's in control, and especially around women, finds out he's not quite.
Thursday, April 16 2009
M Squad: Clench-jawed and World-weary
Lee Marvin almost floats through his space, bending his graying hatchet-head forward on his tall lanky body, his loose limbs on the point of uncoiling into savagery when some mug pulls a rod or throws a punch. He's a dangerous gentleman.
Friday, September 19 2008
(Catherine) Deneuvian Depths
Face slapping, bathroom porn, and obsessive, possessive, manic-depressive, aggressive-aggressive fixations define these Catherine Deneuve non-masterpieces.
Friday, August 29 2008
The Invaders: Cold War Central with the Vietnam Blues
The aliens carry silver dollars with lights which function both as cell phones and as gadgets that can make anyone drop dead from an instantly diagnosable "brain hemorrhage".
Friday, February 1 2008
When Rules Were Meant to be (Silently) Broken
The films produced by Thanhouser may seem fragile in their faded beauty and quaint devices, but their very age and quaintness become strengths to who admire the style and vigor of silent cinema.
Columns
Thursday, February 2 2012
Prime Time Larceny: It Takes a Thief
Al Mundy (Robert Wagner) enjoys a reputation as a world-class thief, a glamorous burglar, a pickpocket's pickpocket. Too bad he landed in prison.
Tuesday, December 6 2011
Showing My References: On Reading Too Much About TV & Watching Too Much TV
I still yearn for a hefty volume of pages to take down from the shelf, to leaf through at my leisure or to zero in on that relevant fact.
Friday, October 14 2011
Clear! Old-School Medical Drama, Stat!
A once-popular medical drama reveals how much has changed in America's health care industry -- and its television medical dramas -- and how much remains the same.
Thursday, August 4 2011
The Guys Who Bond in the Sky: 'Toward the Unknown'
All this aircraft is blatantly fetishized, with Bond at one point giving his plane an impulsive and passionate smack of the lips.
Thursday, May 26 2011
Share the Stage, 'Glee' -- TV Feels a Song Coming On
The history of TV musicals is richer -- and stranger -- than you think. At least three sitcoms were singing long before Glee came along: That's Life, The Monkees and The Partridge Family. Before them, well, if I could sing it to you...
Reviews
Friday, April 27 2012
What They Meant by Madcap: 'Diplomaniacs', 'Kentucky Kernels' & 'The Rainmakers'
When it comes to cutting capers, these three films from Warner Archives are the right material.
Wednesday, March 28 2012
Boy, are These Natives Restless: 'Black Moon'
I'm willing to bet no movie of its time so brazenly aligned voodoo with black revolutionary politics.
Tuesday, March 13 2012
'Tall Story': Don't You Believe It
Rarely does a movie rub the audience's collective noses so vigorously into bright-eyed artifice without actually turning into a musical.
Tuesday, March 6 2012
Lust Among the Ruins: 'In the Cool of the Day'
This soaper is still watchable and visually engaging, for such a grand piece of silliness.
Thursday, March 1 2012
The Hot-Blooded Writer's Life, According to Hollywood: 'Youngblood Hawke'
Everyone admires Youngblood Hawke, who is always referred to by his full name, but of course it wouldn't be a story worth telling if this golden boy could sustain his success without hard lessons about over-reaching and losing touch and the wrong woman and the hollow nature of fame and money and yadda yadda.
Blogs
Wednesday, May 16 2012
'It All Came True': Sentimentality with Sass
It All Came True doesn't fit any particular category of movie, and as a result you hardly know what's going to happen as one thing leads to another in a finely balanced mix of comic, melodramatic and sentimental tones leading up to the big show.





































