Mark Anthony Neal

Features

Culture

Carrying the Water: On Michael Eric Dyson

[23.Jul.07] :. It is Dyson’s ability to make himself and his work accessible to lay audiences -- ironically much like grassroots activists -- that makes him a target for those folk within the academy and elsewhere, who don’t believe that his work is rigorous enough.

Recent features

 

Music

The Last Soul Brother: James Brown (1933-2006)

[2.Jan.07] :. The humanity of the man -- with its funky and messy flaws and frailties -- could never sustain the myth, so much so that the image of the man who gave Black Power its soundtrack became a harsh reminder of its fractured legacy.

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Columns

Critical Noire

Tupac's Book Shelf

[1.May.03] :. Price drew on his own training as a Gospel musician and ethnomusicologist to examine Tupac's spiritual development, suggesting that the late artist had surpassed the legacies of John Coltrane and Mahalia Jackson as spiritual figures within the tradition of black music.

Recent columns

 

Critical Noire

Confessions of a ThugNiggaIntellectual

[27.Mar.03] :. I share a space with them each time I'm profiled in grocery stores, or chillin' with my homies Gramsci and Jay Z at Starbucks.

Recent columns

 

Critical Noire

Still a Riot Goin' On: Fela Kuti, Celebrity Gramscians, and the AIDs Crisis in Africa

[26.Feb.03] :. Fela's emergence fits the profile of what has come to be known as the Gramscian or organic intellectual.

Recent columns

 

Critical Noire

White Chocolate

[17.Dec.02] :. In the past, it has been all too easy to identify many of these white artists under the rubric of 'blue-eyed soul'. But I'd like to argue for a separate category known as 'white chocolate' -- that which 'looks' different but contains all the flavor and the texture of the original.

Recent columns

 

Critical Noire

Still Love H.E.R.

[30.Oct.02] :. . . . I've come across more than a few hip-hop generation artists and intellectuals who are beginning to show strains of gray in their locks, twists, beards, and fades.

Recent columns

 

Critical Noire   Cosby Redux

Critical Noire   Three the Hard Way: Black Art Outside the Flow

Critical Noire   Revolutionary Soul Singa: Meshell Ndegéocello

Critical Noire   Nuyorican Nostalgia

Critical Noire   Lifestyles of the Rich and Tenured?: The Black Public Intellectual Under Siege

Critical Noire   Bellbottoms, Bluebelles and the Funky-Ass White Girl

Critical Noire   The E-Double and the Trouble Man: Marvin Gaye and Erick Sermon "Turn on Some Music".

Critical Noire   Big Pimpin' Bourgeois Style: the Demise of Tavis Smiley's BET Tonight

Critical Noire   Like Water for Chocolate: Common's Recipe for Progressive hip-hop

Critical Noire   McGruder's Follies: Playa Hatin' BET in Public

Reviews

Music

Common: Be

[31.May.05] :. Electric Circus pushed the boundaries of hip-hop -- a psychedelic trip to hip-hop's great beyond -- Be just finds a world-wide Common back home standing on the corner. But you can't go home again and no matter how much he wishes, the Common of Can I Borrow a Dollar? is not the same Common of Be -- and thank God for that.

Recent Music reviews

 

Music

John Legend: Get Lifted

[4.Feb.05] :. Legend has fashioned a rather nuanced and sophisticated debut -- a Nora Jones for the R&B faithful.

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Music

Gerald Levert: Do I Speak for the World

[10.Jan.05] :. A bold (and blatantly commercial) attempt to bring purpose to R&B -- and to bring soul music back to the world.

Recent Music reviews

 

Music

Queen Latifah: The Dana Owens Album

[11.Nov.04] :. The album is a tribute to Queen Latifah's talents and her musical tastes, and a an example of what the so-called hip-hop generation can produce, when we allow them to grow up.

Recent Music reviews

 

Music

Lalah Hathaway: Outrun the Sky

[20.Oct.04] :. Audiences can perhaps be forgiven for forgetting about Lalah Hathaway -- her last full length recording was 1994's A Moment -- but her surname demands that we never forget her entirely. As the...

Recent Music reviews

 

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PopMatters Pick

Music

Aretha Franklin: The Queen in Waiting: The Columbia Years (1960-1965)

[18.Oct.02] :. Arguably one of the most important recordings done by a black artists in the post-Civil Rights era, throughout Amazing Grace Franklin seamlessly weaves through traditional sacred recordings.

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