Timothy Gabriele is a writer who studied English and Film at the University of Massachussetts at Amherst. He currently lives in the New Haven, CT region with his wife, his daughter, his dog, and two cats. He has been featured in the book Goodbye Billie Jean: The Meaning of Michael Jackson. His column, The Difference Engine, appears regularly at PopMatters. Among his many current projects is a biographical blog series chronicling his life via mix tapes, which can be read at Documentary Mixtape.
Features
Thursday, February 2 2012
After Cease to Exist: The Far-from-Final Report of Throbbing Gristle
After a British government official declared them "Wreckers of Civilization", Throbbing Gristle understood their mission -- to destroy the Control society.
Tuesday, October 26 2010
What Was It That You Tried to Say? The Degeneration of the Voice in 'Kid A'
For being one of the defining albums of its time, Kid A certainly doesn't have much to say -- or at least that's what the band wants you to think. The band's thoughts on losing one's voice in an increasingly individualistic society suddenly takes on a much greater potency.
Thursday, September 24 2009
Various Artists: Factory Records: Communications 1978-92
Factory Records was as influential in design, sound production, and defining what a label could be as it was in music.
Thursday, July 9 2009
The Fawn in the Burning Forest: Our Beloved Monster
Unlike John Lennon’s clumsy attempts to appear working class or Mick Jagger’s incessant chauvinist posturing, Michael Jackson had no strong desire to be “authentic” or “real”.
Wednesday, November 12 2008
The Signal and the Violence of American Identity Politics
The oppressor in The Signal is an underlying, parental figure in absentia. It is industrial civilization as pathology, inextricably and somehow willfully divorced from reality.
Columns
Thursday, January 5 2012
2011: Music’s Most Electronic Year Yet
Vestigial organs like industrial music and the radio dial proved vital in 2011, while house and dubstep were invaded by hordes of uninvited outsiders, proving once again that electronic and plugged-in music is at the vanguard of change throughout the world.
Monday, October 10 2011
The Survival of the Industrial Sonic in a Deindustrialized West
In the '90s, industrial music crossed over into the mainstream with heavy guitar and massive personalities, but blue collar labor itself was disappearing...
Monday, July 11 2011
Techno’s Labor Force, Rock’s Betrayal, and the Birth of the Fascist Groove Thing
Electronic music has always maintained an ambivalent attitude towards labor, at once rejecting the notion of wage internment and creative inhibition while embracing the beauty of the cyborgian mechanics of the factory and the allure of discipline and dominance.
Friday, January 28 2011
The Science of Sleep: The Electronic Lullaby
In the age of access, it’s possible that Raymond Scott, Kraftwerk, and ARP may become as essential tools for infant soothing as “Rock-A-Bye Baby”.
Monday, August 23 2010
Chilled to Spill: How The Oil Spill Ruined Chillwave’s Summer Vacation
Empty nostalgia or a realignment of values, chillwave's alchemical waste-sounds may be on the cusp of a deadbeat summer.
Reviews
Thursday, February 9 2012
Cosmin TRG: Simulat
The former steppa TRG offers up some Berlin-inflected interstellar inflight entertainment.
Wednesday, January 11 2012
Mark McGuire: Get Lost
Mark McGuire releases his umpteenth album of impressionistic guitar drone ambient.
Friday, December 9 2011
Pink Playground: Destination Ecstasy
Shoegazer band Pink Playground fetishizes the past and clouds itself in reverb.
Monday, December 5 2011
Controlled Bleeding: Odes to Bubbler
Members of Controlled Bleeding do what they always do--everything but repeat themselves.
Friday, December 2 2011
Roska: Rinse 15
Roska shows us where we're at in 2011, though he frames this with himself in the center.
Blogs
Thursday, September 1 2011
Pal198X Informercial by Neon Indian
Neon Indian has created a late night video oddity that is the perfect blend of eerie and nostalgic for the heady arthouse sci-fi camp of SubGenius propoganda films.



































