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David Antrobus

Features

Wednesday, September 23 2009

Jack on Fire: Jeffrey Lee Pierce, 1958–1996

He was as unlikely a candidate to don the mantle of rock and roll cliché as anyone; he was just a child's drawing of abject gloom, a stocky fireplug frame, dark, insomniac eyes skittering beneath the damp straw tangle of his anime-angular hair, an upside-down sorrow-mouth.


Monday, October 4 2004

Spawning Ground

In this ancient place of giant ferns and cedars, it seems the dead outnumber the living; the living fall away too quietly, too easily, taken away by stealth. There is tremendous natural beauty here, but its hold is tenuous, like moss clinging to rotting bark that will ultimately break and sink into the forest floor.


Wednesday, December 17 2003

Best Music of 2003 | David Antrobus


Monday, September 15 2003

"Everyone I Know Goes Away in the End": A Tribute to Johnny Cash

Not a great lover or follower of country music -- hey, what could a bunch of twangy bejeweled cowpokes say to me, a snotty punk brat from Manchester, England, right?


Reviews

Thursday, March 24 2005

Stars: Set Yourself on Fire

There is nothing vague about the sweet ache running like candy stripes throughout the confectioner's swirl of their endearing electro chamber pop.


Tuesday, February 1 2005

Low: The Great Destroyer

The Duluth trio have confounded us again, which is a good thing of course. Virtually absent on The Great Destroyer are the spare, minimalist daubs of intimate beauty with which they're so closely associated, and yet, nonetheless, it wades through a kind of dark, tumultuous resplendence all its own.


Tuesday, July 27 2004

The Mountain Goats: We Shall All Be Healed

Mountain Goats have just added a further chapter in an ongoing saga of (micro) relationships examined against a backdrop of (macro) global concern, We Shall All Be Healed being the most explicit yet.


Monday, May 3 2004

Cex: Maryland Mansions


Wednesday, April 21 2004

The Cooper Temple Clause + Calla: 27 March 2004: Richards on Richards - Vancouver

At its most arresting, the music of Calla hums with tension along the line between polarities.


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