Friday, May 20 2005
Abouna (2002)
Mahamat-Saleh Haroun's second film is lilting and profound at once, precise and sinuous, pulsing with brilliant, sometimes breathtaking color and dense emotional detail, even as it tells a tale of loss and longing.
Mahamat-Saleh Haroun's second film is lilting and profound at once, precise and sinuous, pulsing with brilliant, sometimes breathtaking color and dense emotional detail, even as it tells a tale of loss and longing.