Articles tagged "bill moseley"

Short Ends and Leader

House (2007)

by Bill Gibron

[4.Apr.09] :. It’s unique among fundamentalists - the decision to take Christianity into arenas where it previously could find little or no purchase. After all, musical mediums like punk and hip-hop would...

Short Ends and Leader

 
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Short Ends and Leader

Repo!: The Genetic Opera (2008)

by Bill Gibron

[20.Jan.09] :. Vision is hard to come by in today’s ‘crank ‘em out and count the pennies’ Hollywood. Bankability and commercial viability often trump things like talent, imagination and...

Short Ends and Leader

 

PopMatters Picks: The Best TV, Film, and DVD of 2008 Feature

Celulloid Culpability - Top 10 Film Guilty Pleasures of 2008

by PopMatters Staff

[13.Jan.09] :. Like comedy or music, one's choice in cinematic pleasure can be very personal - and very peculiar. Take this tantalizing list of shameful indulgences. You can argue over their artistic value, but their individuals rewards definitely speak to those who champion them.

PopMatters Picks: The Best TV, Film, and DVD of 2008

 

Music Review

Ohgr: Devils in My Details

by Mike Schiller

[12.Dec.08] :. Devils in My Details, then, is the complete and utter reversal of the artistic trajectory that Ogre's work with Ohgr and Skinny Puppy Mach II set up.

Recent Music reviews

 

Short Ends and Leader

House

by Bill Gibron

[21.Nov.08] :. It’s unique among fundamentalists - the decision to take Christianity into arenas where it previously could find little or no purchase. After all, musical mediums like punk and hip-hop would...

Short Ends and Leader

 

The PopMatters Fall 2008 Movie Preview Feature

Talk, Talk, Talk: November 2008

by Bill Gibron

[11.Sep.08] :. Like the sainted sigh of relief that comes after another shriek-filled All Hallow's Eve, November usually means the start of the 'nominate me' process for the proposed prestige pictures of 2008.

The PopMatters Fall 2008 Movie Preview

 

The Devil’s Rejects (2005)

by Ryan Vu

[29.Jul.05] :. The movie evokes no clear reaction to its violence -- no fear, no pity, no outrage -- because we don't identify with anyone on screen.