Thursday, May 1 2003
Price drew on his own training as a Gospel musician and ethnomusicologist to examine Tupac's spiritual development, suggesting that the late artist had surpassed the legacies of John Coltrane and Mahalia Jackson as spiritual figures within the tradition of black music.
Thursday, March 27 2003
I share a space with them each time I'm profiled in grocery stores, or chillin' with my homies Gramsci and Jay Z at Starbucks.
Wednesday, February 26 2003
Fela's emergence fits the profile of what has come to be known as the Gramscian or organic intellectual.
Tuesday, December 17 2002
In the past, it has been all too easy to identify many of these white artists under the rubric of 'blue-eyed soul'. But I'd like to argue for a separate category known as 'white chocolate' -- that which 'looks' different but contains all the flavor and the texture of the original.
Wednesday, October 30 2002
. . . I've come across more than a few hip-hop generation artists and intellectuals who are beginning to show strains of gray in their locks, twists, beards, and fades.
Wednesday, September 18 2002
The root of hip-hop generation displeasure with The Cosby Show was not simply that the show wasn't 'political', but rather the show did in fact serve the political function of diverting attention away from the harsh realities of Reagan-era social policies.
Wednesday, June 19 2002
Ain't nothin' wrong with cats payin' the bills with their art. But there's always a real cost associated with stayin' true to your art, when market demands suggest that there's more money available following trends.
Wednesday, May 15 2002
Critical Noire -- Revolutionary Soul Singa: Meshell Ndegeocello -- Ndegeocello has never felt a need to defend or explain the supposed ambiguity that is so crucial to her music . . . an admittedly complex and creative articulation of what it means to be 'blackwomanbisexualbassplayersentientbeingGramscianintellectualandrevolutionarysoulsinger'.
Tuesday, April 23 2002
As the post-9/11 politics of New York City threatens to force the city’s “people” into small self-interested enclaves, the music of Masters at Work is an all too timely reminder of the common vision that the Nuyorican spirit has forged with some many of New York City’s inhabitants.
Friday, March 1 2002
. . . (T)o raise questions about black faculty who are 'intimidated' by gatekeepers within black institutions is to risk access to and influence within those very institutions. No politically astute black mainstream politician is willing to do that.