Articles tagged "diane lane"

Film DVD Review

Jumper

by Marc Calderaro

[30.Jun.08] :. Brashness and arrogance, and absolutely none of the consequences of either.

Recent DVD reviews

 

Film Review

Jumper

by Cynthia Fuchs

[14.Feb.08] :. The Chechnyan backdrop reminds you yet again of the utter inconsequence of Jumper.

Recent Film reviews

 

Film Review

Untraceable

by Cynthia Fuchs

[25.Jan.08] :. Even if you take the film's moral lesson at face value, the overkill is discouraging, and not very instructive.

Recent Film reviews

 

News

Diane Lane’s talent is not `Untraceable’

by John Anderson [Newsday (MCT)]

[21.Jan.08] :. Diane Lane is a little like Zelig, and your birthday. She doesn’t come around all that often, but you’re pretty happy when she does. And she’s been popping in and out of...

PopWire

 

Film DVD Review

The Outsiders: The Complete Novel (1983)

by Michael Christopher

[21.Oct.05] :. Rarely does a director's cut reflect a vision 'truer' to a source text. But, like most everything else surrounding the picture, The Outsiders: The Complete Novel is quite an anomaly.

Recent DVD reviews

 

Film Review

Must Love Dogs (2005)

by Cynthia Fuchs

[29.Jul.05] :. This family thing is looking rather grim now, as if it's about to swallow the rest of the movie whole.

Recent Film reviews

 

Under the Tuscan Sun (2003)

by Cynthia Fuchs

[25.Sep.03] :. She's yearning for love, or independence, or a lasting exit from the States, where melancholy memories surround her.

 

Unfaithful (2002)

by Cynthia Fuchs

[9.May.02] :. Unfaithful examines the trouble men get into when women behave too passionately.

 

The Big Town (1987)

by Kevin Jagernauth

In Cullen's rise to the top, he summarily steps on everyone who tries to help him or slow him down.

 

The Glass House (2001)

by Cynthia Fuchs

'The Glass House' can't manage its own metaphors, and ends up tripping all over itself in order to give them a coherent context.

 

Hardball (2001)

by Cynthia Fuchs

The fact that Hardball's Conor is white means nothing, of course, except that he's one in a long line of white characters who become 'better people' because they meet adorable, courageous, noble, and/or doomed minority characters.

 

The Perfect Storm (2000)

by Cynthia Fuchs.'

Here’s how the world ends: Marky Mark afloat on a dark and turbid sea, alone and Pip-like, channeling his true devotion to his loyal girlfriend back on shore. “There’s no...

 

The Perfect Storm (2000)

by Mike Ward

In a coincidence I assume is meaningless, Das Boot has bubbled up twice this summer movie season, after snoozing for close to 20 years. First evoked in the backhanded homage of Jonathan...

 
 
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