Wednesday, April 24 2013
Why Rob Zombie Is the Quentin Tarantino of Horror
The rocker turned filmmaker is just as genuine, and just as good, as his Oscar winning counterpart and for many of the same cinematic reasons.
Friday, November 2 2012
Ten Horrific Movie Scenes for Post-Halloween
Since truth is invariably stranger -- and scarier -- than fiction, some of cinema's most unnerving scenes come from movies not found in the Horror section.
Friday, May 27 2011
They Won’t Stay Dead: The Changing Guises of Horror Film and Censorship
The controversy surrounding A Serbian Film is symptomatic of an ominous development in the horror genre's combative relationship with the censors.
Wednesday, February 23 2011
Hatchet II: Interview with Adam Green, Kane Hodder and Tom Holland
Horror film is the purest genre, as it taps into our emotions directly, without the pretense of art. "It never takes me long to get into character. It's a good thing that I have the type of job where your criminal record has no bearing on your success." -- Kane Hodder on playing Victor Crowley [Hatchet I & II]
Monday, November 1 2010
Ray Bradbury Wrote Me Back
My affinity for Ray Bradbury's work is rooted in his "accidental novels", as well as in the collections that plunder what is seemingly a limitless vault of manuscripts.
Monday, October 25 2010
His Dark Exotica: Ennio Morricone - “Seduction and Magic”/ “Dark Revelation”
Save for “Magic and Ecstasy”, “Seduction and Magic” is perhaps the most Goblin-esque of the thirteen tracks on Ennio Morricone’s soundtrack to Exorcist II: The Heretic. The piece's second inclusion, “Dark Revelation”, could remain at home on the next Burial album.
Monday, October 11 2010
CIFF 2010: ‘Bitter Feast’ (Joe Maggio, 2010)
Bitter Feast warns potential viewers what they may encounter right in the title. Yes, it's a horror movie about food culture. Unfortunately, it's not much of a feast, but it will leave something of a bitter taste.
Monday, September 13 2010
His Dark Exotica: Ennio Morricone - “Magic and Ecstasy”
Somewhere on the downbeat in Ennio Morricone's soundtrack to 'The Heretic's' "Magic and Ecstasy" are the ghost notes that the film's teenage Regan must find alarming, like a Trashmen record played at the wrong speed.
Tuesday, September 7 2010
His Dark Exotica: Ennio Morricone - “Regan’s Theme” (Floating Sound and Finale)
Ennio Morricone's score to the 1977 film 'The Exorcist II: The Heretic' is anything but predictable. The man responsible for that bravado-ridden whistle we all know from 'The Good, the Bad & the Ugly' does something on this soundtrack that might be truly hellish if not for its roots in exotica.
