Wednesday, March 25 2009
Monday, March 23 2009
Monday, February 16 2009
Friday, January 16 2009
Unlike previous years, where classics came crawling out of the celluloid woodwork with regular reckless abandon, 2008 was more calm… and considered. That's not to say that choosing 30 top titles was hard. The difficulty in placing them in some manner of rank order suggests the actual depth of quality involved.
Thursday, December 25 2008
Wednesday, December 24 2008
It's an inelegant but provocative means to measure Benjamin and Daisy's ostensibly transcendent connection: as he grows young and she grows old, they share but a single moment when their bodies and visions and hopes can easily coincide.
Friday, September 12 2008
Just like the end of an inspiring speech that may or may not succeed in making its point, these final four weeks before 2009 tend to define or defeat the entire awards season purpose.
Friday, July 21 2006
Story's whiter-than-white skin, bloody cuts, color-shifting hair, and need to keep wet make her a bizarre amalgamation of fantasies, alternately "male" and "childish."
Friday, April 14 2006
Mary Harron's smart new movie is less about Bettie Page than the many forces that made her 'notorious,' the moral hypocrisies and sexual repressions that shaped the '50s and persist today.
Wednesday, January 26 2005
Paul W.S. Anderson says, 'For me, there is in modern times, a definite fear of loss of identity. And that's what the undead represent. They are the mass, there's no differentiation between them.'"