Articles tagged "jeremy northam"

Film Review

The Invasion

by Bill Gibron

[19.Aug.07] :. With 2007’s oft-delayed The Invasion, there is simply no more symbolic juice left.

Recent Film reviews

Film Review

The Invasion (2007)

by Cynthia Fuchs

[17.Aug.07] :. Directed by Oliver Hirschbiegel (who made the impressive Downfall), the film goes from sharp paranoid thriller to noisy action flick.

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TV Review

The Tudors

by Todd R. Ramlow

[26.Apr.07] :. The Tudors is pointed in its critical assessment of Enlightenment philosophy, whose legacies (individualism, liberal humanism) still adhere in today's world.

Recent TV reviews

Film Review

Tristram Shandy: A Cock and Bull Story (2006)

by Cynthia Fuchs

[3.Feb.06] :. The film controverts various theories of writing and reading, production and reception.

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DVD Film Review

Cypher (2002)

by Bill Gibron

[13.Sep.05] :. Just like the spies' mission as they hunt for secrets and significance inside massive corporate databanks, this film's point is unclear.

Recent DVD reviews

Film Review

The Statement (2003)

by Michael Healey

[11.Dec.03] :. The Statement is a rarity: a serious, politically-minded thriller.

Recent Film reviews

Enigma (2001)

by James Oliphant

[15.Sep.03] :. Michael Apted speaks of his intent to make the country appear 'beautiful' and, consequently, we're spared shots of bombed-out London or casualties of any kind.

Possession (2002)

by Cynthia Fuchs

[15.Aug.02] :. While the plot of Possession concerns yearning and fervor, its tone is provocatively detached.

Gosford Park (2001)

by Cynthia Fuchs

[27.Jun.02] :. It is clear about what it is, a study of affect that is also affected.

Enigma (2001)

by Cynthia Fuchs

[9.May.02] :. There comes a point in 'Enigma' where Jeremy Northam shows up and you feel grateful.

Gosford Park (2001)

by Cynthia Fuchs

It is clear about what it is, a study of affect that is also affected.

The Golden Bowl (2000)

by Cynthia Fuchs

Adam (Nick Nolte) is introduced on screen with the title, 'America's First Billionaire' (this is the level of overstatement to which the film resorts repeatedly, not trusting its audience to follow even the simplest plot points).