Wednesday, July 31 2002
Taking the Train: How Graffiti Art Became an Urban Crisis in New York City. by Joe Austin
Austin points out the two chief discourses through which residents and visitors find meaning in the city: The Naked City or the New Rome. The New Rome is the pinnacle of civilization, the city where dreams are fulfilled, fame is won, and riches earned. The Naked City, on the other hand, is the seedy metropolis of noir films, where life is cheap and virtue meaningless.

































