Wednesday, January 10 2007
Net-Works: The Best TV of 2006
You won't have to look far along your television dial to discover the Top TV picks from PopMatters staff. From 20 upward, each entry represents the boob tube at its best.
Friday, June 17 2005
Me and You and Everyone We Know (2005)
e and You and Everyone We Know teaches us that life's tender intricacies and ironies can bring us closer to one another.
Monday, March 21 2005
Deadwood
Deadwood is possibly the most coruscating indictment of American capitalism ever aired in primetime.
Thursday, May 13 2004
A Slipping-Down Life (2004)
You're left wondering just what Evie sees in Drum, except that abstract backwardsness that she's inscribed in herself.
Monday, April 12 2004
Deadwood
Wily and self-possessed, Sol Star is an unusual combination of a Lower East Side peddler and Gary Cooper in High Noon.
Tuesday, September 9 2003
Identity (2003)
As James Mangold neatly puts it, these characters are running along 'a kind of Möbius strip of hell.'"
Thursday, April 24 2003
Identity (2003)
Amanda Peet, not incidentally, throws some fine, even sublime, attitude.
Sunday, January 1 1995
Hardball (2001)
The fact that Hardball's Conor is white means nothing, of course, except that he's one in a long line of white characters who become 'better people' because they meet adorable, courageous, noble, and/or doomed minority characters.
