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Articles tagged "kate beckinsale"

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After achieving stardom, Kate Beckinsale was ready to get back to basics

by Colin Covert [Star Tribune (Minneapolis) (MCT)]

[24.Mar.08] :. As a curvaceous vampire huntress in the `Underworld’ films, she was the best friend black latex ever had. She captivated Howard Hughes in “The Aviator,” terrified audiences in...

PopWire

 

Film Review

Snow Angels

by Cynthia Fuchs

[13.Mar.08] :. At its center, and much like David Gordon Green's other movies, Snow Angels is about faith.

Recent Film reviews

 

DVD Film Review

Vacancy

by Marc Calderaro

[13.Aug.07] :. Nimròd Antal’s Vacancy takes us back to the days of suspense -- when the chase was exhilarating on its own – not just the means to a morbid end.

Recent DVD reviews

 

Film Review

Vacancy (2007)

by Cynthia Fuchs

[20.Apr.07] :. The movie is 80 minutes of mostly entertaining tension, punctuated by violence engineered by a creep using criminally outdated technology.

Recent Film reviews

 

Film Review

Underworld: Evolution (2006)

by Cynthia Fuchs

[20.Jan.06] :. Race here is not an inherent or stable identity, but mutable and mutating.

Recent Film reviews

 

Film Review

The Aviator (2004)

by Cynthia Fuchs

[22.Dec.04] :. The Aviator portrays Hughes as a rebel and a genius, a dashing young man with ambition, hope, and nerve.

Recent Film reviews

 

Underworld: Extended Cut (2003)

by Cynthia Fuchs

[24.May.04] :. Such contrasts make Underworld an especially good-looking vampire-werewolf-action film, even if it is over-the-top.

 

Van Helsing (2004)

by Cynthia Fuchs

[6.May.04] :. Van Helsing is full of monsters -- monster lore, monster jokes, and monster trivia.

 

Underworld (2003)

by Cynthia Fuchs

[26.Jan.04] :. Underworld has more on its mind than matching its throbbing rock soundtrack to action sequences.

 

Underworld (2003)

by Cynthia Fuchs

[18.Sep.03] :. The primary point is the look -- the drenching rain, the blazing gunfire, the catsuit.

 

Brokedown Palace (1999)

by Cynthia Fuchs

High school movies tend to end with graduation. It's at the prom that the primary couple finally achieves their much-anticipated clinch (with camera circling and trendy pop song resounding) while their adversaries - treacherous teachers, jealous fellow students, ridiculous parents - back off or smile approvingly, showing that they have indeed learned whatever lessons they're supposed to have learned.

 

The Golden Bowl (2000)

by Cynthia Fuchs

Adam (Nick Nolte) is introduced on screen with the title, 'America's First Billionaire' (this is the level of overstatement to which the film resorts repeatedly, not trusting its audience to follow even the simplest plot points).

 

Pearl Harbor (2001)

by Mike Ward

Pearl Harbor's endorsement of military ideals and barely submerged nostalgia for the war's anti-Japanese racism only abates for a half hour of stunningly rendered shoot-em-up as the Japanese attack on Pearl Harbor and its surrounding airfields takes place.

 

Serendipity (2001)

by Tracy McLoone

'Serendipity' offers absolutely no surprises -- and therefore, no unpleasant ones.

 
 
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