Articles tagged "leelee sobieski"

Decade-Dense: The 60 Most Memorable Films of 1999 Feature

Part 2: The Virgin Suicides to The Blair Witch Project (May - August 1999)

by PopMatters Staff

[24.Mar.09] :. In Part Two of our look at the most memorable films of 1999, we experience music, foul-mouthed mayhem, and a late, great auteur's final cinematic statement.

Decade-Dense: The 60 Most Memorable Films of 1999

 

PopMatters Picks: The Best TV, Film, and DVD of 2008 Feature

OMG - The 20 Worst Films of 2008

by PopMatters Staff

[15.Jan.09] :. There's bad, and then there's 2008 level bad. You know this list is looking down into a deep dark bottomless pit of cinematic despair when Mike Myers' shameful Love Guru didn't even make the Top 20!

PopMatters Picks: The Best TV, Film, and DVD of 2008

 

Film Review

88 Minutes

by Cynthia Fuchs

[18.Apr.08] :. In 88 Minutes, Gramm's carelessness is increasingly annoying, less a characterization than a function of slack scripting.

Recent Film reviews

 

Film Review

The Wicker Man (2006)

by Cynthia Fuchs

[1.Sep.06] :. "Every time I turn my head," sputters Edward, "there's something that doesn't make any sense." Exactly.

Recent Film reviews

 

TV Review

Hercules

by Cynthia Fuchs

[16.May.05] :. The labors are colorful on paper, somewhat less than thrilling in execution.

Recent TV reviews

 

Film DVD Review

Deep Impact: Special Collector’s Edition (1998)

by Cynthia Fuchs

[5.Oct.04] :. Mimi Leder's Deep Impact is both less and more than a science fiction-styled disaster melodrama.

Recent DVD reviews

 

Max (2002)

by Cynthia Fuchs

[6.Feb.03] :. Max is less concerned with making Hitler sympathetic, or even very specific, than it is in using him to illustrate a series of ideas.

 

Here on Earth (2000)

by Cynthia Fuchs

Kelley Morse (Chris Klein) is a familiar movie character, a prep school boy who has too much money and not enough attention from his father. For graduation, his insensitive dad (Stuart Wilson) is...

 

The Glass House (2001)

by Cynthia Fuchs

'The Glass House' can't manage its own metaphors, and ends up tripping all over itself in order to give them a coherent context.