Sunday, January 1 1995
Though behaving like proper girls and boys has little effect on Megan and the other patients, they still pretend that they are actually heading down the path to heterosexuality.
Interestingly, in one of 'A.I.''s inconsistencies, we are shown a society obsessive about controlling consumption and the conservation of resources, which nevertheless is still steadfastly consumer-driven: the answer to all our problems can be found in the perfect product, in this case a robotic child.
Just prior to All About My Mother's closing credit sequence, there is an effusive dedication - To all actresses who have played actresses, to all women who act, to men who act and become women, to all the people who want to be mothers...to my mother.
If 'All Over the Guy' is any indication of what Hollywood has in store for gay relationships, it looks like gay men and lesbians will be receiving the same shallow treatment as their heterosexual counterparts.
'Apocalypse Now' -- 'Redux' or regular -- is well worth seeing for just such insights, its flashes of brilliance, failures, and virtuous intentions. In both versions, it's that rare movie that looks hard at the culture that produced it.
And yet, for a rock 'n' roll film set in the '70s, Almost Famous has surprisingly little sex and drugs on screen (though both are much discussed). Even when two or three of the 'band-aids' decide to deflower William, mainly to alleviate their boredom, it comes off more like a slumber party game than an act of real sexuality.
Morgan Freeman's sober mien and formidable presence make you wish that the rest of the movie would keep up.