Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

News

People of Earth:


We come here not to bury Conan O’Brien, but to praise the pasty-skinned, flame-haired comedian, who unfairly became the odd man out in NBC’s bloody late-night mess.


Friday night, Conan will end his brief reign as host of “The Tonight Show” and nab a $45 million check for simply walking away.


It sounds like a super-sweet deal (when was the last time you received millions of dollars for taking a walk?). But we can’t help but feel that Conan is a victim here. And we can’t resist bemoaning that his vast talents ultimately went unappreciated by the masses and by a network that has been left a shambles.


Some will say that Conan wasn’t right for the gig in the first place — that Jay Leno’s return to “The Tonight Show” helm March 1 restores the natural late-night order. Leno, after all, was beating CBS’ David Letterman like a rag doll when he had the job. In the seven months since, Conan lost that ratings cushion.


Conan’s critics will insist that he was plagued by a bad case of the “toos.” He was just too goofy, too obnoxious, too edgy, too immature, too smart, too East Coast, too young and too tall to sit in the seat once occupied by legendary Johnny Carson.


We’ll concede, Conan’s an acquired taste. But truth be told, he’s funnier than Leno. Way funnier. Eventually, America would have figured that out. And eventually, viewers would have welcomed him into their family.


But NBC never gave Conan time to grow into the job as it did with former hosts, including Leno. People forget that Leno also struggled early in his first “Tonight Show” run and that there was anxious talk among NBC execs about replacing him with Letterman. But they stuck by him.


Not only did NBC fail to exhibit the same kind of patience with Conan, it also undermined him by plopping Leno at 10 p.m. EST. Think about that: You wait years to assume your dream job as team captain only to discover that the old guy refuses to leave the locker room.


And when Leno produced rancid ratings in prime time, it meant weaker lead-in audiences for the local newscasts at 11, which, in turn, meant weaker lead-in audiences for Conan. The proverbial deck was stacked against this guy from the start.


Such a shame. Conan, who was educated at Harvard and wrote for “The Simpsons,” was the perfect antidote for those of us who had grown tired of Leno’s genial, middlebrow humor. We loved his offbeat characters, his zany on-location skits, his cleverness and subversiveness. And we loved how he wasn’t afraid to make fun of himself.


Oh, what could have been.


But now what? Apparently, his payout deal requires Conan to disappear for a while. But he can return to late night as early as fall, if another network — possibly Fox — is willing to give him a job.


Here’s hoping they will. And here’s hoping Conan winds up making the bigwigs at NBC look even more foolish than they currently do.

Related Articles
Comments
Now on PopMatters
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
Calling Out to Carroll...Baker: 'Bridge to the Sun' (Short Ends and Leader) [Fri, 4:00 pm]
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Beach House: Bloom (Reviews)
  3. Tea with 'Sherlock': Investigating the Investigators (Features)
  4. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Tenacious D: Rize of the Fenix (Reviews)
  7. 20 Questions: Kate Bornstein (Features)
  8. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  9. Like 'Doom', In Heels (Moving Pixels)
  10. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  11. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  12. She's a Rainbow: A Tribute to Donna Summer (Features)
  13. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  14. This Is All There Is: The Boredom of Lessened Expectations (Short Ends and Leader)
  15. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  16. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  17. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  18. Best Coast: The Only Place (Reviews)
  19. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  20. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  21. Something’s Wrong with the Black Widow! (Graphic Novelties)
  22. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  23. Sergio Leone: Something to Do with Death (Columns)
  24. Killer Mike: R.A.P. Music (Reviews)
  25. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  26. Willie Nelson: Heroes (Reviews)
  27. The Cult: Choice of Weapon (Reviews)
  28. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  29. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  30. In Support of Supports (Moving Pixels)
PM Picks
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.