Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

News

Four years ago, one of the most famous voices in the entertainment industry was silenced. On Tuesday’s “Oprah Winfrey Show,” film critic Roger Ebert’s voice was finally heard again.


A high-tech program created by Scottish company CereProc used Ebert’s DVD commentaries to create a synthetic version of his voice, which Ebert used for the first time on “Oprah” to “talk” via his computer.


Ebert, 68, has been battling cancer for eight years, and for the last few years, he hasn’t been able to eat, drink or speak.


But he certainly hasn’t lost the ability to communicate — far from it. Via his blog, Twitter and his prodigious review output for the Chicago Sun-Times, he has once again proved himself to be one of the most productive critics around. He’s also one of the most beloved; when he walked out on Winfrey’s stage, he got a standing ovation.


For the Tuesday interview, Ebert and his wife, Chaz, joined Winfrey in her Chicago studio, but the part of the interview in which he unveiled his new voice was shot in the couple’s Chicago town house.


“It still needs improvement, but at least it sounds like me,” Ebert’s computer said when it “spoke.” “In first grade, they said I talked too much. And now I still can.”


As Ebert “talked” for the first time since July 1, 2006 (the date of the surgery that destroyed his ability to speak), Chaz wiped away tears.


“I actually think it’s incredible; it’s incredible that that’s your voice,” Chaz said. “Roger, what do you think?”


“Uncanny. A good feeling,” he answered.


The new voice did sound a lot like the Ebert that TV audiences heard on his many movie review programs, including the various incarnations of the show he hosted with the late Chicago Tribune critic Gene Siskel. However, for much of the “Oprah” interview, Ebert used a more standard computer voice, which sounded a bit like Hal from “2001: A Space Odyssey.”


Ebert said he couldn’t recall his last words.


“I probably spoke them to Chaz as they wheeled me out to the operating room,” he said. “They were probably, ‘I love you.’ At least I hope those were my last words. On the other hand, they may have been, ‘Good morning, doctor.’” He said he often dreamed of frosty root beers shared with his father.


“In my dreams, I’m talking all the time,” he said.


Ebert and Winfrey, who are old friends, discussed his day-to-day life since his cancer diagnosis, and the show chronicled a typical day for the Eberts, which involved three film screenings, a meeting about a possible TV project and a lot of writing for Roger.


These days, Ebert is cancer-free, and he has ruled out any future surgeries.


“This is the way I look, and my life is happy and productive, so why have any more surgery?” Ebert said, before moving on to this year’s Oscar race.

Comments
Now on PopMatters
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
Calling Out to Carroll...Baker: 'Bridge to the Sun' (Short Ends and Leader) [Fri, 4:00 pm]
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Beach House: Bloom (Reviews)
  3. Tea with 'Sherlock': Investigating the Investigators (Features)
  4. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Tenacious D: Rize of the Fenix (Reviews)
  7. 20 Questions: Kate Bornstein (Features)
  8. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  9. Like 'Doom', In Heels (Moving Pixels)
  10. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  11. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  12. She's a Rainbow: A Tribute to Donna Summer (Features)
  13. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  14. This Is All There Is: The Boredom of Lessened Expectations (Short Ends and Leader)
  15. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  16. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  17. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  18. Best Coast: The Only Place (Reviews)
  19. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  20. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  21. Something’s Wrong with the Black Widow! (Graphic Novelties)
  22. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  23. Sergio Leone: Something to Do with Death (Columns)
  24. Killer Mike: R.A.P. Music (Reviews)
  25. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  26. Willie Nelson: Heroes (Reviews)
  27. The Cult: Choice of Weapon (Reviews)
  28. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  29. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  30. In Support of Supports (Moving Pixels)
PM Picks
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.