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Fulfilled promise brings grandma's secrets to lightPopWire: News, Reviews and Commentaryby Connie OgleMcClatchy Newspapers (MCT) 3 September 2008![]() MIAMI - Sadia Shepard grew up just outside Boston with a Muslim mother and a Christian father in a household that celebrated Christmas and Ramadan. But at 13, she learned just how multicultural her family was. She discovered that her mother’s mother, who “wore saris and cooked the same food as everyone else in the family,” had been born Rachel Jacobs, a descendant of the Bene Israel, a small Jewish community whose members believe they are one of the lost tribes, shipwrecked in India 2,000 years ago. “The thing most shocking to me was the fact that the name could’ve been a name of someone in my class,” marvels Shepard, a documentary filmmaker who lives in New York City. “How did my Pakistani Muslim grandmother end up with a name like Rachel Jacobs?” The answers to that query and other intriguing questions are revealed in The Girl From Foreign: A Search for Shipwrecked Ancestors, Forgotten Histories, and a Sense of Home (Penguin, $25.95). The memoir is the fulfillment of her promise to her grandmother, who died in South Florida in 2000. (Shepard’s parents lived and worked in Coral Gables, Fla., from 1998 until 2007.) ‘She asked me to promise that someday I would go to India and learn about my ancestors. She said, ‘Promise me you’ll tell my story.’ I didn’t know what that meant,” Shepard says. So as a Fulbright Scholar with a camera - she graduated from the Stanford University Documentary Film Program - Shepard traveled to India, then to Pakistan to trace the history of her grandmother and the Bene Israel, a thriving community of 30,000 in the 1930s now dwindled to about 3,500. Shepard, whose documentary recently premiered at the San Francisco Jewish Film Festival, estimates the community has grown to 90,000 in Israel. Toward the end of her life, Shepard’s grandmother, who never converted to Islam but had raised her children in the religion, expressed a desire to reconnect with Judaism. Shepard and her parents took her to services at Temple Judea in Coral Gables, and a rabbi from the temple was visiting the day she died. They had planned to discuss the afterlife. “It gave us great peace to have him there,” Shepard says.
What was it like, growing up in such a multicultural household?
I had the luxury of having three parents, not two. My grandmother came to us in 1975, when she heard my mother was pregnant with me. She made it possible for my mom to pursue a career and become a professor. My grandmother made our house run. She was the life force behind the entire operation.
What did you learn that surprised you?
You traveled to India and Pakistan right after Sept. 11. How did people respond to you?
I was in south Asia as a Fulbright student, which comes under the Department of State, and I think students traveling and studying and working abroad is one small but vital link in connecting our country to the outside world and the outside world to us on a day-to-day level. It gives a human face to what it means to be a young American. . . . My mother, when she was growing up in Karachi, heard Dizzy Gillespie in 1956. He was on a State Department tour, and she heard him play, and she describes this as the first time she saw this incredibly free, chaotic, wonderful music. It was the first time she was aware America had different kinds of people in it, that it was a culture of freedom and creative expression, and this was what led her to want to study in this country.
Did you note a rise in Islamic fundamentalism during your time in Pakistan?
I think that in order to move beyond the idea of a clash of civilizations between East and West we need to recognize that no religion - whether it be Judaism, Islam or Christianity - is a monolith. What my experience in India and Pakistan taught me is that there is tremendous diversity in the way that faith is practiced, and that we have a great deal to learn from communities with plural and hyphenated identities. I hope that more people come forward to give voice to these kinds of stories.
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