Quantcast
News

Facebook knows your age, alma mater and favorite band. It’s seen your spring break photos and read the messages you sent to your friend. So, can it do anything it wants with that content?


Legally, almost. But in practice, the rules that govern Facebook’s relationship with its users are abstract and subject to constant negotiation.


The blogosphere was abuzz Monday after a popular consumer affairs blog pointed out changes to Facebook’s terms of use that the social networking Web site quietly made earlier this month. The issue of who controls the data posted to the site is a massive gray area that continues to evolve as Internet companies and consumers shape social norms of how to define trust in the digital age and share their lives through new technology.


Under both the old and new rules, members grant Facebook a license to use content “on or in connection with the Facebook Service or the promotion thereof.” But the revised agreement eliminates language saying this license would “automatically expire” if content were removed from the site.


“They’re saying, ‘Once data gets in our database, we can do whatever we want with it,’” said Eric Goldman, associate professor and director of the High Tech Law Institute at the Santa Clara University School of Law.


Suzie White, Facebook’s corporate counsel for commercial transactions, announced on the company’s official blog on Feb. 4 that the site was updating its terms of use. But Facebook didn’t send out a mass notification asking users to sign off on the changes. And White’s brief post, which didn’t call attention to the content license, went unnoticed.


Then, on Sunday, the Consumerist blog, which is owned by the publisher of Consumer Reports, warned readers of the changes by describing the revised policy as, “We Can Do Anything We Want With Your Content. Forever.”


Facebook founder and Chief Executive Mark Zuckerberg responded to the controversy Monday, posting a note that explained the rationale for the content license.


“When a person shares information on Facebook, they first need to grant Facebook a license to use that information so that we can show it to the other people they’ve asked us to share it with,” Zuckerberg wrote. “Without this license, we couldn’t help people share that information.”


In a statement, Facebook said its policy of maintaining a license over old content is consistent with general use of its site and other Web services such as e-mail. For example, if a Facebook member sends a message to a friend, that message remains in the friend’s inbox even if the member quits the site. The company said this is similar to Web-based e-mail, where sent messages remain archived in recipients’ inboxes even if the sender’s account is deleted.


The controversy over the revised terms highlights a crucial question of user responsibility in the social networking age: Do consumers understand what can happen to their data? Privacy experts often warn that the notion that consumers can control the content they post online is illusory. Yet, most users don’t bother reading terms of service or question a company’s intentions when they sign up for a new site.


“Typically, terms of service approximate the length of a contract you would sign to buy a house,” said Nathan Gilliatt, principal at social media consulting firm Social Target. “Half of it is in uppercase text that’s almost unreadable. It’s non-negotiable, and people want to use the service. So what are you going to do?”


One reason Facebook has become so popular is “it’s convinced users that they have control over what takes place on the site,” Goldman said. This level of trust is built into the culture of Facebook, not enshrined in any legal document.


Goldman said the language in Facebook’s terms of use “runs directly contrary” to the tacit agreement the site has struck with its members. Users generally trust that their profile photos won’t turn up on a roadside billboard without their permission, or that their blog posts won’t be published in a bound volume and sold for profit.


Zuckerberg’s Monday post sought to downplay fears that Facebook has dark motivations for amassing user data.


“We wouldn’t share your information in a way you wouldn’t want,” Zuckerberg said. “The trust you place in us as a safe place to share information is the most important part of what makes Facebook work.”

Comments
Now on PopMatters
Busted Headphones: Hip Hop Es Mi Cultura
Van Halen: A Different Kind of Truth (Reviews) [Mon, 3:25 pm]
‘The Artist’ dominates BAFTAs (PopWire) [Mon, 9:01 am]
Your Anti-Valentine's Day Playlist. (Mixed Media) [Mon, 8:30 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  4. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  5. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  6. Bored This Way: The 54th Annual Grammy Awards (Features)
  7. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  8. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  9. Lana Del Rey: Born to Die (Reviews)
  10. The Top 15 Madonna Singles of All Time (Sound Affects)
  11. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  12. Leonard Cohen: Old Ideas (Reviews)
  13. Google and the Production of Curiosity (Marginal Utility)
  14. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  15. Van Halen: A Different Kind of Truth (Reviews)
  16. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  17. Tower Songs: Townes Van Zandt (Columns)
  18. Black Bananas: Rad Times Xpress IV (Reviews)
  19. Paul McCartney: Kisses on the Bottom (Reviews)
  20. The Gay Ole Countryside (Columns)
  21. Of Montreal: Paralytic Stalks (Reviews)
  22. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  23. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  24. Rating the Performances at the 54th Annual Grammy Awards (Mixed Media)
  25. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  26. The 10 Best John Coltrane Solos (Sound Affects)
  27. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  28. Chairlift: Something (Reviews)
  29. Mark Lanegan Band: Blues Funeral (Reviews)
  30. Mitt Romney Can Reside at Today's Proverbial 'Downton Abbey'... Newt Gingrich Cannot (Features)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.