Quantcast
News

To the Rev. Al Green, “Love and Happiness” is more than a song. It’s more than a feeling. It’s a mission.


Green, who has led his congregation at the Full Gospel Tabernacle in Memphis since 1979, is equal parts soul singer and soul saver. The R&B superstar turned gospel great it touring as part of the B.B. King Blues Festival with Etta James and the Roots Band Sunday.


The all-star lineup has been crisscrossing the United States since March bringing blues, soul and R&B to sold-out crowds.


Green said when he was approached about playing the shows, he had but one stipulation.


“I said it would be a fantastic show, I just demand one thing, B.B. has to be the star of the show,” he said from the road in Denver. “He has been out there longer than us, he knows more about it than us. We are a supporting act. I like to give the credit where the credit is due.”


Green said the living legends all get a kick out of watching each other’s sets from show to show.


“I mean, the show is power-packed; you don’t have no dead show,” he said. “With Etta James, she is going to do her `At last, my love has come along.’ And I am not going to try to come out there being nobody but myself. `Let’s Stay Together,’ `Sha-La-La.’ Then B.B. does his thing. Ain’t nobody slacking, everybody is doing what they do. Everybody gets to display their own self.”


The nine-time Grammy winner and Rock and Roll Hall of Fame inductee rose to fame in the `70s with his signature brand of “baby-making music.” His conversion came, in part, due to a tragic death of his longtime girlfriend in 1974, who threw a pan of boiling grits on the superstar and then committed suicide. After her death, Green went on a spiritual journey that culminated in 1976 when he became an ordained minister.


“I’ve been preaching for 30 years. It’s not that I take my music or my job lightly ... we are ministering love and happiness,” he said.


“We minister the Bible, of course, but we have to minister love and happiness because there are a lot of lonely people in the world.”


In 2005, Green went back to a more secular sound with his latest studio release, “Everything’s OK.” But, as with everything in his life, Green said he is just the vessel, not the captain running the show.


“I’m not in charge of anything. We have to do what we’re told to do,” Green said of his faith.


What Green does know is that his next album, now in the works, will feature collaborations with three or four of today’s hottest young artists including British singer Corinne Bailey Rae and American R&B artist Anthony Hamilton. The as-yet-untitled project should be out this fall or early next year.


Until then, he encourages fans to come out and catch him either at the B.B. King Blues Festival or his church, where he preaches every Sunday he is not on the road. He said visitors often comment on the balance he strikes between his spiritual and musical sides.


“People say, `I saw him on the R&B stage and he was fantastic, and now let’s go catch him at the tabernacle.’ The feeling, the emotion, it’s the same,” he said.


After one service he said some Japanese tourists came up to him and gave him the perfect compliment: “They said, `The spiritual side is very good, very equal balanced as the rock `n’ roll side.’”

Comments
Now on PopMatters
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  4. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  5. Bored This Way: The 54th Annual Grammy Awards (Features)
  6. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  7. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  8. Lana Del Rey: Born to Die (Reviews)
  9. The Top 15 Madonna Singles of All Time (Sound Affects)
  10. Google and the Production of Curiosity (Marginal Utility)
  11. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  12. Van Halen: A Different Kind of Truth (Reviews)
  13. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  14. Tower Songs: Townes Van Zandt (Columns)
  15. Black Bananas: Rad Times Xpress IV (Reviews)
  16. Paul McCartney: Kisses on the Bottom (Reviews)
  17. The Gay Ole Countryside (Columns)
  18. Of Montreal: Paralytic Stalks (Reviews)
  19. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  20. Rating the Performances at the 54th Annual Grammy Awards (Mixed Media)
  21. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  22. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  23. The 10 Best John Coltrane Solos (Sound Affects)
  24. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  25. Chairlift: Something (Reviews)
  26. Mark Lanegan Band: Blues Funeral (Reviews)
  27. Mitt Romney Can Reside at Today's Proverbial 'Downton Abbey'... Newt Gingrich Cannot (Features)
  28. After Cease to Exist: The Far-from-Final Report of Throbbing Gristle (Features)
  29. The Barbaric (and Poetic) Yawp of Shelby Lynne (Notes from the Road)
  30. Die Antwoord: Ten$ion (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.