Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

News
MODEST MOUSE [Photo: Wendy Lynch]

When Isaac Brock picks up the phone, the pain in his voice is unmistakable.


“Owwwwww!” screams the lead singer and lyricist of Modest Mouse from his apartment in Portland, Ore.


cover art

Modest Mouse

We Were Dead Before the Ship Even Sank

(Epic; US: 20 Mar 2007; UK: 2 Apr 2007)

Review [29.Mar.2007]

Then he explains: “My cat decided she was done getting petted and the best way to stop that was to make me hurt a lot.”


Brock, 31, has made headlines in the past with substance abuse problems, stints in jail and self-destructive behavior. But on this day, it turns out, he sounds happy and relaxed at home. Also voluble, frequently foulmouthed, bracingly blunt and very funny.


Modest Mouse was formed in 1993 in Issaquah, Wash. After years of acclaim for its independent recordings, it broke through to a mass audience with the edgy but upbeat hit single “Float On” in 2004.


Many of the band’s old fans were uneasy about seeing their heroes with a hit, and the cries of “sellout” increased this year when “American Idol” contestants sang “Float On” in a music video sponsored by Ford.


His manager warned him that allowing the song to be used in that way could be a bad PR move, but Brock says he couldn’t resist the opportunity.


“I’m not a singer, per se,” he explains. “I do what I do, and I do it with some style. It works. But the type of singing that they tend to do on `American Idol’ is what I call `sodeling’—the combination of soul and yodeling. The thought that someone would be crooning away and sodeling on one of our songs seemed hilarious to me.”


In any case, the band didn’t try to repeat the hit formula for its follow-up album. Early in the songwriting process for what turned out to be “We Were Already Dead When the Ship Sank,” Brock made the unusual step of inviting Johnny Marr, the guitar hero from the influential `80s British band the Smiths, into the fold.


“I definitely thought that the fact that we’ve got pretty different styles would make for something interesting,” Brock says.


The experiment worked so well that Marr was invited to become a permanent member of the band.


Brock says the new six-piece lineup (with two drummers) has improved on the road since then, with Marr’s chiming guitar and vocal prowess filling out the live sound. Just as important, the members also are clicking offstage.


“It’s the most family-like this whole band’s felt since it was just a three-piece when we were younger,” Brock says. “I think the whole band is a lot more comfortable right now.”


That’s not to say that everything is sweetness and light. At a Modest Mouse concert in Sioux Falls, S.D., in March, Brock pulled out a small knife and cut himself on the chest until a roadie restrained him. He performed the rest of the show with bloody slices visible through his T-shirt.


The event was much talked about on the indie-rock blogosphere, but Brock insists it was no big deal.


“I was having a good time and got feisty, got hyper,” he says. “It wasn’t a dangerous situation whatsoever.”


Brock, who has spoken publicly about drinking to excess in the past, attributes his behavior that night to a mixture of single-malt Scotch and coffee.


“I still plan on drinking every so often, and I still plan on getting trashed every so often,” he says unapologetically. “You know the fact that I don’t drink every day, and I definitely don’t get drunk all that often anymore, is the improvement I’m on. I’m happy there.”


When “We Were Dead Before the Ship Even Sank” came out March 20, it immediately vaulted to No. 1 in Billboard, solidifying Modest Mouse’s status as one of America’s most popular rock bands.


“When someone told me it had gone to No. 1, I was surprised that I wasn’t psyched,” Brock says. “I was like, God, am I completely unable to be satisfied?”


But after a few days’ reflection, Brock says, he was relieved by his mild reaction.


“Anyone can say that they don’t care about record sales, or how their record’s doing,” he says. “It was nice for me to know I was actually being honest to myself when I said those things. I do find my pleasure in the making of the music, not what happens after the fact.”


Related Articles
28 Feb 2011
The Lonesome Crowded West ends on a note of comfortable abandon, with Isaac Brock momentarily shrugging off his existential questions for a well-deserved drink.
21 Feb 2011
“Bankrupt on Selling” manages its melancholy with an expert hand, making it one of the most moving tracks on an album full of full-steam heartwrenchers.
14 Feb 2011
On "Polar Opposites", Isaac Brock and Modest Mouse turn frustration into energy, anthemizing listlessness in a way that only the best of rock ’n roll music can do.
7 Feb 2011
If The Lonesome Crowded West is an album born of and fixated upon car culture, “Truckers Atlas” is the engine at the heart of it. Jack Kerouac, take a seat and learn something.
Comments
Now on PopMatters
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
Calling Out to Carroll...Baker: 'Bridge to the Sun' (Short Ends and Leader) [Fri, 4:00 pm]
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Top Ten Lost Midwest Punk Singles (Sound Affects)
  5. Tenacious D: Rize of the Fenix (Reviews)
  6. 20 Questions: Kate Bornstein (Features)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Like 'Doom', In Heels (Moving Pixels)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. She's a Rainbow: A Tribute to Donna Summer (Features)
  12. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  13. This Is All There Is: The Boredom of Lessened Expectations (Short Ends and Leader)
  14. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  15. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  16. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  17. Best Coast: The Only Place (Reviews)
  18. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  19. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  20. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  21. Something’s Wrong with the Black Widow! (Graphic Novelties)
  22. Sergio Leone: Something to Do with Death (Columns)
  23. Killer Mike: R.A.P. Music (Reviews)
  24. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  25. In Support of Supports (Moving Pixels)
  26. Willie Nelson: Heroes (Reviews)
  27. The Cult: Choice of Weapon (Reviews)
  28. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  29. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  30. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.