Quantcast
News
Gears of War

Why do movie studios continue to insist on making movies based on video games? Probably because there’s more money in it than you might think.


Last week came word that Len Wiseman (“Live Free or Die Hard”) has been tapped to direct a film version of Gears of War. Gore Verbinski (“Pirates of the Caribbean”) is helming the movie adaptation of BioShock, while John Moore (“Flight of the Phoenix”) is directing a movie version of Max Payne starring Mark Wahlberg that comes out in October. Bruce Willis is reportedly close to an agreement to star in a movie version of Kane & Lynch.


For many gamers, the only vision we have of game-based movies are the terrible adaptations of Uwe Boll, creator of such critical and commercial flops as “House of the Dead,” “BloodRayne” and “Alone in the Dark.” But the truth is that many game-based movies have grossed serious bucks.


For every “Double Dragon” ($2.3 million U.S. box-office gross), there’s a “Lara Croft: Tomb Raider” ($131 million U.S. box office plus $62.8 million in U.S. video rentals).


According to the box-office tracking site boxofficemojo.com, each of the three “Resident Evil” movies grossed more than $100 million in worldwide box office, not counting video rentals, sales and other revenue. With that kind of money at stake, it’s no wonder that a handful of stinkers hasn’t dissuaded movie studios from turning to games for inspiration.


Of course, that just makes it all the more inexplicable that the most successful cinematic games have yet to hit the big screen.


Peter Jackson was at one time working on a Halo movie that was to be directed by Neill Blomkamp.


That project ran into a landmine when Microsoft’s financial demands were apparently too steep for any studio to stomach, and the movie has essentially been canceled.


Metal Gear Solid would also seem to be a no-brainer movie, as MGS4 is as much movie as game, and everybody loves it.


But a movie adaptation of the series seems almost as unlikely as a Halo movie at this point as the MGS movie has been stuck in development for years.


Although the mysteriously still-employed Mr. Boll will likely continue to depress the average review scores and box-office takes for game-based movies, there’s reason to be hopeful. The actors and directors signing on for the most high-profile projects are professional, competent moviemakers.


I’m unabashedly curious to see what BioShock and Gears of War look like; even Max Payne, a cops-and-robbers game inspired by noir movies, might well survive the translation back to cinema.


But, man, I want my Halo movie.


I have no doubt it will come eventually. There’s too much money at stake.


I just hope Uwe Boll doesn’t direct it.

Comments
Now on PopMatters
Short Ends and Leader: 10 Alternative Cinematic Valentines
Will we always love Whitney? (PopWire) [Tue, 12:35 pm]
Tough Like Glue: An Interview with V.V. Brown (Sound Affects) [Tue, 12:00 pm]
10 Alternative Cinematic Valentines (Short Ends and Leader) [Tue, 9:00 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  4. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  5. Bored This Way: The 54th Annual Grammy Awards (Features)
  6. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  7. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  8. Lana Del Rey: Born to Die (Reviews)
  9. The Top 15 Madonna Singles of All Time (Sound Affects)
  10. Your Anti-Valentine's Day Playlist. (Mixed Media)
  11. Google and the Production of Curiosity (Marginal Utility)
  12. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  13. Van Halen: A Different Kind of Truth (Reviews)
  14. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  15. Tower Songs: Townes Van Zandt (Columns)
  16. Black Bananas: Rad Times Xpress IV (Reviews)
  17. Paul McCartney: Kisses on the Bottom (Reviews)
  18. Of Montreal: Paralytic Stalks (Reviews)
  19. The Gay Ole Countryside (Columns)
  20. Rating the Performances at the 54th Annual Grammy Awards (Mixed Media)
  21. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  22. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  23. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  24. The 10 Best John Coltrane Solos (Sound Affects)
  25. Mark Lanegan Band: Blues Funeral (Reviews)
  26. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  27. Chairlift: Something (Reviews)
  28. Mitt Romney Can Reside at Today's Proverbial 'Downton Abbey'... Newt Gingrich Cannot (Features)
  29. After Cease to Exist: The Far-from-Final Report of Throbbing Gristle (Features)
  30. Die Antwoord: Ten$ion (Reviews)
PM Picks
Film Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.