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Clive Young

Reviews

Homemade Hollywood by Clive Young

By Michael E. Ross

With the advent of the hand-held camera, a maverick cultural archetype was born: the brash, charming romantic taking advantage of popular fascination with the movies. [15 April 2009]

Now on PopMatters

Features
:. PopMatters Picks: The Best Music of 2009
:. The Iconographies: The Sociology of Superheroes: Andi Ewington and 45

Columns
Torch & Twang: The Music That Matters: Ralph Rinzler and Bill Monroe, Part Two
Mixtape Confessions: In the J-Zone Zone

Blogs
Short Ends and Leader: Nine-Sense: 10 Better Possible Movie/Musical Adaptations
Notes from the Road: Elvis Perkins in Dearland: 4 December 2009 - Bowery Ballroom, New York City
Sound Affects: Masters of the Form: Rage Against the Machine 1999 - The Battle of Los Angeles
Consuming Consumables: Sonic’s Ultimate Genesis Collection
Mixed Media: The Smashing Pumpkins - “A Song for a Son”
Marginal Utility: The Authenticity Fetish
Channel Surfing: Top Chef Oddsmakers
Moving Pixels: Gauging Load Times in Games

Music
:. Various Artists: BalkanBeats: A Night in Berlin
:. Glorytellers: Atone
:. Joss Stone: Colour Me Free
:. Bear in Heaven: Beast Rest Forth Mouth
:. To Kill a Petty Bourgeosie: Marlone
:. Mountains: Etching

DVDs
:. The Way of the Gun
:. Keeping Up With the Kardashians: The Complete Second Season

Books
:. Enter in Photography Degree Zero: Reflections on Roland Barthes’s Camera Lucida by Geoffrey B
:. The Museum of Innocence by Orhan Pamuk

Multimedia
:. Space Invaders Extreme 2

News
:. INTERVIEW:Arctic Monkeys take new path
:. The iPhone’s online identity crisis
:. ‘Public Enemies’ a good, but not great, effort by director Michael Mann

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