As electronic music's edges bleed out all over the genre map, some sounds have been resurrected, others minimally revised, but the sum total shows a genre that, diffuse identity or not, continues to exert its pull on rock, pop, and the dancefloor. [10 December 2007]
Dan Deacon manages to lure in his audience with his strange, raucous brand of electro-pop and induce them to sway, leap, and even shout along with him. [6 June 2007]
10-01 Chapel Hill, NC - Cat’s Cradle
10-02 Atlanta, GA - Eyedrum
10-03 Athens, GA - 40 Watt
10-04 Birmingham, AL - Bottletree
10-05 Nashville, TN - Exit/In
10-06 Memphis, TN - Hi Tone Café
10-07 New Orleans, LA - Big Top
10-09 Austin, TX - Emo’s
10-10 Marfa, TX - The Shade Structure*
10-14 Irvine, CA - University of California-Irvine
10-15 Los Angeles, CA - Echo
10-16 Los Angeles, CA - Eagle Rock Center for the Arts
10-17 San Francisco, CA - Treasure Island Festival
10-19 Sacramento, CA - Fungarden
10-21 Eugene, OR - University of Oregon Cultural Forum
10-22 Portland, OR - Worksound
10-23 Portland, OR - Holocene
10-24 Seattle, WA - Vera Project
10-27 Denver, CO - Rhinoceropolis
10-29 Northfield, MN - Carleton College
10-30 Chicago, IL - Logan Square Auditorium
11-01 Gambier, OH - Kenyon College
11-03 Toronto, Ontario - Sneaky Dees
11-04 Toronto, Ontario - Great Hall
11-05 Montreal, Quebec - Il Motore
11-06 Montreal, Quebec - Eastern Bloc
11-07 Middlebury, VT - Middlebury College
11-08 Boston, MA - Mass Art
11-10 Northampton, MA - Iron Horse
11-13 Worcester, MA - Clark University
11-15 Ithaca, NY - Ithaca College