Part 3: The Stellar ‘70s

By PopMatters Staff

When it comes to post-modern moviemaking, everyone stereotypes the Me Decade as the genre's defining moment. In this case -- as illustrated by the 10 films that represent it -- the categorization is more than accurate. [20 June 2007]

The Pay Off: The Best Film of 2006

By PopMatters Staff

For many of the movies on PopMatters' 2006 list of the year's best films, it is clear that a heavy personal and professional stake was riding on the final product. [11 January 2007]

Inland Empire (2006)

By Cynthia Fuchs

Nikki's story takes her deep inside herself or deep inside the movie industry.No matter how you're inclined to read the film's final dancers, the scene offers a Lynchian Rorschach test. What you see tells you something about you. [8 January 2007]

Wild at Heart: Special Edition (1990)

By Cynthia Fuchs

'The most rewarding thing about working with David,' says cinematographer Frederick Elmes, 'is helping him see the vision through.'" [3 January 2005]

Eraserhead (1977)

By Bill Gibron

Whatever it 'means,' Eraserhead makes clear that no one since the glory days of pre-color Hollywood understands the dramatic power of monochrome moviemaking better than David Lynch. [15 December 2003]

Mulholland Drive (2001)

By Kirsten Markson

Like many of his other works, 'Mulholland Drive' has a dream logic, whereby characters morph, metaphors are made literal, and a stylistic fluidity juxtaposes with a disjointed narrative structure. [1 January 1995]

Mixed Media: Moby’s “Shot in the Back of the Head” dir. David Lynch (!) (video)

David Lynch tours to tout the benefits of Transcendental Meditation in schools [1 May 2008]

Bingo! Bango! Bliss?? An interview with David Lynch [25 January 2007]