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Franc Roddam

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Friday, February 1 2013

The Best DVDs and Blu-rays of 2012

From classics to contemporary television, the typical titles and the surprising outsider choices, the year in home video was just as divisive, and delightful, as the rest of our meaningful media.

Reviews

Monday, October 1 2012

Out of My Brain on the Train: 'Quadrophenia'

The Who’s Quadrophenia was always screaming out to be a movie.

Now on PopMatters

Features

The Women Behind 'The Throne'

Eliot, then Chopin: Investigating 'The Sandman: Preludes & Nocturnes'

The Jet Sex: Airline Stewardesses and the Making of an American Icon

Columns

The Next Reel: Creepy Myths, Curses and Urban Legends of Hollywood

Blogs

Mixed Media: Early Summer 2013 New Music Playlist

Statuesque: A Window to the Heart: "Fill the Void's" Rama Burshtein and Hadas Yaron

Graphic Novelties: What Sam Houston Knew: Exclusive Preview of 'Lucifer: Book One'

Short Ends and Leader: Superheroes with Spark Plugs in 'Fast and Furious 6'

Sound Affects: Counterbalance No. 130: Aretha Franklin's 'Lady Soul'

Moving Pixels: It's Hard to Play the Right Way

Announcements: Call for Columnists: Brainy, Artful Generalists, Rejoice!

Music

Four Tet: Rounds (10th Anniversary Edition)

Rory Storm: Old Songs Sung in Wolves’ Tongue

Various Artists: The Rough Guide to Latin Psychedelia

Emma Louise: vs. Head vs. Heart

Vondelpark: Seabed

Lost Society: Fast Loud Death

Various Artists: Classic Celtic Music from Smithsonian Folkways

Events

The Bottlerock Napa Valley Festival - Day 1

Film

'Fast & Furious 6' Is Bigger and Better, Again

Although Visually Splendid, "Epic's" Story Is As Generic As Its Title

Greta Gerwig's Frances Is Not a Real Person, Yet, but She's Working on It: 'Frances Ha'

Julianne Moore Is in Class in 'The English Teacher'

DVDs

Searing Color into Cultural Memory: Tenosuke Kinugasa's 'Gate of Hell'

'American Masters: Mel Brooks: Make a Noise' Is a Fitting, Funny Salute to the Masterful Comic

Books

The Technicolor Revolution: 'Comandante: Hugo Chávez's Venezuela'

Multimedia

It's a Merciless World in 'Metro: Last Light'

'Arrested Development' Season 4 Trailer & Banana Stand Pics (Mixed Media)
We Aren't the Mods and Other Sorry Tales of a Fashion Slave (Columns)
From Thinking Steaks to TITANic Mistakes: The 'Star Trek' Films They Almost Made (Features)
Daft Punk: Random Access Memories (Reviews)
'Star Trek Into Darkness' and the Wrath of Fanboys Being Khaned (Short Ends and Leader)
Have Fun: A Tribute to Diana Ross, Nile Rodgers, and the CHIC Groove of 'diana' (Parts 1-4) (Features)
Vampire Weekend: Modern Vampires of the City (Reviews)
Creepy Myths, Curses and Urban Legends of Hollywood (Columns)
The National: Trouble Will Find Me (Reviews)
How Do Film Adaptations of Books, Such As 'The Great Gatsby', Affect an Author's Literary Status? (Columns)
R.E.M.: Green (25th Anniversary Edition) (Reviews)
PR, Paramount, and the 'Star Trek' Disaster (Short Ends and Leader)
Primal Scream: More Light (Reviews)
An Open Letter to J. J. Abrams: 'Star Wars' Ain't 'Star Trek' (Short Ends and Leader)
Latitudes and Longitudes of Darkness: Four Remarkable 2013 Black Metal Albums (Columns)
The 10 Greatest Escape Movies of All Time (Short Ends and Leader)
Christopher Guest Does TV with HBO's 'Family Tree' (Reviews)
In Defense Of ... The Return of 'Arrested Development' (Columns)
The 10 Greatest British Actors Working Today (Short Ends and Leader)
Drawn Back Into Dreaming: Spotlight on Neil Gaiman's "Sandman" (Features)

PM Picks

Announcements

Call for Columnists: Brainy, Artful Generalists, Rejoice!

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Call for Papers: Return to the 36 Chambers: Enter The Wu-Tang, 20 Years Later

Call for Papers: Director Spotlight: Orson Welles

Call for Feature Essays About Any Aspect of Popular Culture, Present or Past

Call for Electronic Music Critics and Bloggers

Call for UK-Based DVD and Music Critics

Open Call for Submissions for Popular Flashpoints Series

Call for Book Reviewers and Bloggers

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Call for Papers: Dickens 200: Readings and Re-readings

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Call for DVD Critics and TV Bloggers

Pop Past – It's 'Past', But It's Never 'Over'

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