Features
Friday, April 3 2009
The Aesthetics of Absorption: Truffaut’s ‘The 400 Blows’
In Truffaut, the camera works not to keep the viewer out of the constructed reality of the film but rather to draw the viewer into the artifice, to make the viewer complicit in its feigned reality
Friday, March 20 2009
An Auteur's Touch of Evil
The auteur is dead, long live the auteur: Orson Welles and Touch of Evil, 50 years on.
Reviews
Monday, April 26 2010
Essential Art House: Jules and Jim
François Truffaut's splendid New Wave is released in the Essential Art House series, with a gorgeous print but completely devoid of special features.
Tuesday, May 31 2005
Jules and Jim: Criterion Collection (1962)
'Truffaut had the dread of everything conventional. Above all, he detested the conventionality of the nonconventional,' Jean Gruault notes.

































