George A. RomeroFeatures
Part 3: The Stellar ‘70sWhen it comes to post-modern moviemaking, everyone stereotypes the Me Decade as the genre's defining moment. In this case -- as illustrated by the 10 films that represent it -- the categorization is more than accurate. [20 June 2007] Columns
The Demise of Horror Culture?While the horror classics of 1968 may have indeed revitalized the genre, few today are aware of these movies' impact on the canon...if they acknowledge them at all. [13 May 2008] (more Dread Reckoning) Reviews
Diary of the DeadThe black militia men, black men with lots of guns, are not about to be isolated and killed by vigilantes like Ben (Duane Jones). [15 February 2008]
Land of the Dead (2005)Predictably macabre, darkly comic, and grimly class conscious, Land of the Dead imagines a world where humans turn against each other when facing dreadful fates. [24 June 2005]
Night of the Living Dead: Millennium Edition (1968)The casting of Duane Jones provides the film with a racial subtext, overtly linked to the social and political turmoil of late 1960s U.S. [14 June 2004]
Day of the Dead (1985)The 'domesticated' zombie Bud has learned to appreciate the most important elements of modern culture: classical music, Stephen King novels, and handguns. [26 April 2004]
Dawn of the Dead (1979)George Romero's apocalyptic vision looks more like prophecy than fiction. [5 April 2004]
Two Evil Eyes (Due occhi diabolici) (1990)Romero's films often feature a family that is fragile, a prime target for destructive forces. [23 June 2003] |
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