Jafar PanahiReviews
OffsideIn Offside, both the men and the women are captives, prisoners of what the film presents as an outdated, archaic mindset. [10 September 2007]
Offside (2006)Jafar Panahi's Offside uses handheld mobile framing and non-professional actors to create a natural-seeming rhythm, immersing you in multiple experiences, introducing a number of characters all connected by events, desires, and circumstances. [23 March 2007]
The Circle (Dayereh) (2001)The effectiveness of 'The Circle' lies in its attention to details -- it shows what it feels like to be watched, to be afraid, to be angry and to be disappointed, all the time. [1 January 1995] |
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