Jules DassinReviews
Brute Force (1947)The inability of the filmmakers to deliver any kind of lasting victory for the inmates with whom the audience identifies forces the movie down particularly dark cul de sacs. [18 May 2007]
The Naked City (1948)This film's repetitive structures, meticulous legwork, and melting pot locations would become a staple of television crime-solvers. [2 April 2007] |
|