Len WisemanFeatures
The Perfect Lean, Mean, Macho MachineThe Die Hard series is a true rollercoaster of visual excesses guaranteed to raise the viewer’s adrenaline levels – while invoking intriguing ideological and cultural subtexts that deal with race, gender, masculinity, and social anxieties. [26 March 2008] Die Hard NeoconIn yet another Die Hard film this summer, Bruce Willis will reprise his role as John McClane. But can the public stomach the implicit politics that animate him? [3 July 2007] Monkey Business (Part 2: June)Apparently, as the sun's strongest rays finally settle over the movie going public, sequels are the remedy to cool down an overheated demographic. This month alone holds five examples of such redux refreshment. The rest of the choices are a variety pack of genres, ideas and possibilities. [2 May 2007] Reviews
Underworld and Underworld: EvolutionWhereas The Matrix relied on hyper-cool outfits and the beauty of stylized action sequences to help tell its weird little story, Underworld relies on them to try to make us forget that we are watching a story this insipid. [8 February 2009]
Live Free or Die HardBruce Willis' career may not have mandated a fourth trip into Die Hard territory. Who knew that action fans needed it so badly? [3 January 2008]
Live Free or Die Hard (2007)Bruce Willis as John McClane is back, recalling all the retro rightness and righteousness he first incarnated in 1988. [27 June 2007]
Underworld: Evolution (2006)Race here is not an inherent or stable identity, but mutable and mutating. [20 January 2006]
Underworld: Extended Cut (2003)Such contrasts make Underworld an especially good-looking vampire-werewolf-action film, even if it is over-the-top. [24 May 2004]
Underworld (2003)Underworld has more on its mind than matching its throbbing rock soundtrack to action sequences. [26 January 2004]
Underworld (2003)The primary point is the look -- the drenching rain, the blazing gunfire, the catsuit. [18 September 2003] News
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