Martin Scorsese

Features

Shallow Graves

Martin Scorsese's hotly tipped Oscar fave, The Departed, plumbs the depths of the psychological and sociological motives of violence, loyalty, and duty. [21 February 2007]

Columns

Waltzing with Wilco

As any experienced concert-goer knows, a lively audience can mean the difference between a lackluster event and a memorable night. Sometimes, it’s more important than the band's actual performance. [7 April 2009]

Reviews

Shine a Light

Rarely do movies change my mind about anything, rarer still about rock 'n' roll, but Shine A Light did just that. [11 August 2008]

Shine a Light

While the coming together of the Rolling Stones and Martin Scorsese has been heralded as an event, Shine a Light is only fitfully absorbing. [7 April 2008]

New York, New York

Scorsese films Liza Minelli like a '40s musical screen goddess, and she repays him with one of her most relaxed, assured acting performances. [16 January 2008]

Taxi Driver: Collectors Edition

The extras driving this Collector's Edition of Taxi Driver. [27 August 2007]

The Departed (2006)

The Departed's understanding of identity is deeply rooted in place and culture -- South Boston, Irish Catholicism, masculine rituals. [6 October 2006]

No Direction Home: Bob Dylan (2005)

Martin Scorsese's film is about Dylan's early life among the Mister Joneses of his era, ahead of rock and roll's learning curve and suffering the judgments of the slower kids in his class. [28 October 2005]

The Aviator (2004)

The Aviator portrays Hughes as a rebel and a genius, a dashing young man with ambition, hope, and nerve. [22 December 2004]

Gangs of New York (2002)

Daniel Day-Lewis wears a tall stovepipe hat in Martin Scorsese's long-awaited Gangs of New York. [19 December 2002]

The Last Waltz (2002)

The Last Waltz still spirits a tingle up the spine. [18 April 2002]