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Friday, Jan 11, 2013
As television viewers languished with nothing new to watch over the holidays, it may be time for networks to reconsider their programming schedule.

Recently we were back in that time of year when TV hits a dry spell: the infamous Winter Hiatus, when no new episodes are aired from about mid-December to mid-January. If you’re anything like me, you’re anxious for things to start up again, growing bored out of your mind watching the only things available to you: reruns, holiday specials you’ve seen dozens of times, and drawn-out New Year’s Eve shows. Why must we endure this dearth of good television precisely during that time of year when pretty much everyone has time off?


Television networks have basically always run on the same schedule, with breaks during the summer (an even longer dry spell) and winter months. Traditionally, these times of the year are simply expected to draw fewer viewers. The reasoning here is sound, in that no network wants to air a new episode when people are more likely to be visiting with relatives or traveling than watching TV, but is that really the case anymore?


Tuesday, Jan 8, 2013
While many critics argue that Americans are fascinated by Downton Abbey because of its fundamental Britishness, in other words because of how fundamentally different its sensibilities are from our own, I feel quite the opposite.

I am one of those people who have seen all of Downton Abbey’s third season, including the much-ballyhooed Christmas special. Can I even use the phrase “Downton Abbey Christmas special” without putting in a spoiler alert? Now, before you throw yourself out of your chair or throw your phone out the window, you can relax. You’re safe here. You don’t need a spoiler alert for this, or for future columns from me throughout this season; in fact, you won’t even need to read them with your hand half-covering the lower part of your screen. Let me just assure you that you will enjoy the season. If you find out, or think you found out, what happens during it or in its final episode, you probably don’t know as much as you think you do. This is a clever, well-written season with plenty of surprises for you. I mean, also, #firstworldproblems, you know?


Thursday, Dec 13, 2012
I hate procedurals, but I love Bones. The compelling characters keep the audience engaged despite the formulaic format, but some episodes fall flat.

Shows with the same formula every week tend to get boring, yet there are a few that somehow manage to keep the audience interested. An excellent example of this is The X-Files, a show that adapted this predictability of the procedural into stories that maintain mystery. However, I must admit that even I, with my deep love for The X-Files and my usual unending loyalty to shows, lost interest part-way into the seventh season and stopped watching entirely during the eighth. The reason? You can’t have The X-Files without Mulder and Scully.


This is something that all procedurals should take note of: it isn’t the new medical mystery or supernatural event or bizarre murder every week that keeps bringing us back, it’s the characters.


Wednesday, Dec 12, 2012
True Blood's Amy Burley (Lizzy Caplan) lives a life of paradox: corrupt hipster and a conscious preacher of environmental sustainability -- for vampires.

“I am an organic vegan and my carbon footprint is miniscule,” utters Amy Burley, as she embarks on her environmental cause. “Balance”, “Harmony” and “Beauty” are three signature words defining Amy’s cause in the HBO series, True Blood.  Amy, along with other True Blood women, does not represent a new wave of womanhood, but rather women’s participation in contemporary society as activists in their own right.


The character of Amy, played by Lizzy Caplan, is an eco-activist constantly preaching and guiding her partner, Jason Stackhouse, towards an organic lifestyle. She is the future of modern ecological consciousness in the small, dysfunctional town of Louisiana.


Monday, Dec 10, 2012
Contrary to what some of my friends think, a knowledge of or interest in smoking pot is simply not necessary for one to enjoy Weeds.

Weeds recently wrapped its eight seasons on Showtime. While it certainly hung around longer than most of us may have wished (or were aware of), it actually retained most of its ratings which, for Showtime, broke records at several points during its eight-year run. We can certainly point to it as the series that defined the network and paved the way for Dexter, Homeland, and whatever is coming next down the pipeline.


I’m a bit obsessed with those websites that rate beers and give them grades or whatever, and one of my favorite terms from those sites is “sessionable”. A beer is sessionable if you can drink it over the course of a lengthy drinking “session”, and so more intense beers might be better, but don’t score well in terms of sessionability (which is not a word they use on those sites, hey, it’s funny). The point is that Weeds is a highly sessionable television series. You can watch an entire season in roughly 5-7 hours, depending on the number of episodes in that particular season. And even the later seasons, which are diminished in quality, believability (never the show’s strong suit), and genuine drama, remain entirely watchable and enjoyable enough to keep watching.


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