Crazed by the Music

Exploitation and Theft | By Jason Gross

 

18 March 2008

SXSW- what does a band want from a multi-stage fest?

Anyone who’s writing about a multi-stage festival is jiving you when they say they’re really reporting on it.  Unless they cloned themselves to do the rounds, the truth is that they caught a fraction of what was offered up.  At best, the writer is gonna fish for some kind of angle and sum-up moments that cover the whole festival but read a few of those articles and other than mentioning a few of the same bands, it sounds like these scribes attended different fests.  What usually gets written up are the buzz bands of the moment, big marquee names and maybe if they’re lucky, a handful of mostly unknown acts (I did that myself on my other blog).  At just about every panel at SXSW that I’ve done, a question always comes up from an inspiring musician or label about what they need to do to get noticed in this onslaught of music.  Ideally, the right answer would be “write good songs” but the truth is that you can just as easily (or more easily) make it on a good sound or a good appearance.  But what the hell does it mean for a band to get noticed in 2008?

Jason Gross

 

17 March 2008

Official Harp statement about the end of the magazine

OK, here’s the official word straight from editor Fred Mills.

Harp Magazine Discontinues Publishing after Seven-Year Run

March 17, 2008, Silver Spring, MD: Guthrie, Inc., the company that publishes Harp magazine, announced today that it has discontinued publishing Harp, effective immediately. The last issue sent to subscribers and newsstands was the March/April issue with Dave Grohl on the cover.

Founded in 2001 by editor-in-chief and art director Scott Crawford, the magazine entered into a partnership with the owners of JazzTimes in 2003. The result was a sophisticated rock and pop magazine that was critically acclaimed and well-respected in the music industry for its candor, style and breadth of coverage. The magazine’s web site—www.harpmagazine.com—was also well-received. The site included nearly all of the magazine’s content, as well as daily news updates and special contests and promotions for music fans. There are no plans to continue publishing the magazine in digital form.

The first issue of Harp in the fall of 2001 featured a cover story on Alejandro Escovedo. Among the artists who subsequently graced the cover of Harp during the last 7 years were Grohl, Cat Power, Ryan Adams, Wilco, Bright Eyes, Nick Cave, The Stooges, Drive-By Truckers, My Morning Jacket, Liz Phair, Tom Waits, The Roots, Tom Petty, Neil Young, Neko Case, Modest Mouse, Jay Farrar, Mars Volta, Devendra Banhart, Steve Earle, Pete Yorn, and Howe Gelb. The magazine also did several Vanity Fair-style gatefold cover sessions, including the artists of Bonnaroo and “Rock of Ages” with pop icons and their mentors, and multi-artist conceptual covers like the recent “Kings of Comedy” edition.

However, according to Glenn Sabin, Guthrie’s CEO, the publication struggled to become profitable. “We purchased Harp in 2003, and it quickly became a first class product that was highly acclaimed for its often irreverent editorial approach and strong graphical package. Unfortunately, Harp’s critical acclaim never translated into sustaining commercial success. Harp’s lifecycle was ill timed with the precipitous decline of the music software industry, coupled with the consolidation of the consumer magazine newsstand business and rising paper and postage costs.”

Sabin saw Harp’s demise as reflective of the changes both in the music industry and in print consumer publishing. Sabin continued, “This story isn’t new. Print consumer publishing and the music industry are undergoing a revolutionary period. Legal digital sales are not even close to making up for the loss in physical product sales and the pervasiveness of illegal digital downloads. And with smaller revenues, labels are inevitably spending less money for print and other forms of advertising and promotion.”

Crawford, who provided the magazine with its creative vision, expressed his pride for what the magazine accomplished in his tenure as its editor-in-chief and art director. “We were able to establish a much-needed niche within the crowded marketplace. Ultimately we tried to create a magazine with substance and style—and on that level, I’d like to think we largely succeeded. I can’t thank our supportive advertisers and readers enough,” continues Crawford. “Your years of enthusiasm have always made Harp worth every last drop of blood, sweat and tears for all of us.”

Notable Harp Cover Features:

• June 2006: “Rock of Ages” ­ pairing iconic rock stars like Thurston Moore, Steve Earle, Michael Stipe, Conor Oberst, Emmylou Harris, Tom Verlaine and others with rising stars in a Vanity Fair-like gatefold cover captured by renowned photographer Danny Clinch.
• Sep 2007: “Kings of Comedy” ­ an ensemble cover article featuring Flight of the Conchords, David Cross, Patton Oswalt and Eugene Mirman—photographed
and interviewed together.
• March 2008: “Dave Grohl for President” ­ featuring a mock presidential run by the Foo Fighters’ Dave Grohl.

Fred Mills
Remote Editor At Large
(a/k/a The Artist Formerly Known As Harp Managing Editor)

Jason Gross

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15 March 2008

Harp’s demise

You may have noticed a posting here about Harp magazine going under, wondering what happened to that piece of news.  Well, Harp magazine is indeed kaput though I made the mistake of posting internal information that was circulated about it which might get the people involved in trouble.  As a contributor to the magazine and a booster of said publication, I don’t want anyone there involved in any hot water.  I know that goes against journalist impulses to get the story out about what happened but I’m not willing to do that the expense of editors there that I’ve worked with and respected for years.  Rest assured that the story about what happened there will come out.  For now, I hope you’ll also be mourning the loss of a great publication.

Jason Gross

 

10 March 2008

Zorn and Britney: The strange dance between artist and press

When composer/saxist John Zorn invited journalists to a pair of weekend shows, his one request was that they would not write about it. Of course, the next thing that happened was that a flurry of angry exchanges were unleashed with some defending Zorn and others calling him crazy and conceited. I was there for one of the shows but I paid for my ticket and wrote about it. Later though, I wondered again about the strange relationships that develop between artists and writers.

A mentor of mine warned me that it was never a good idea to get chummy with musicians. He occasionally broke the rule himself but tried to maintain it in general. My batting average is about the same but I know the reasoning behind this idea—you don’t wanna have to call your friend out on a bad album in print. Even it’s constructive, it can still sting. Unfortunately, I’ve found the same thing with other writers—most of the time when you’re asked ‘what do you think of my article,’ they’re really asking ‘could you please find something nice to say about it?’

Jason Gross

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4 March 2008

Walmart blackmailing labels over price?

Apple isn’t the only company who can boss around labels with pricing.  Walmart has been doing a pretty good job of it too and they keep proving it.  Lately, they’ve been telling the labels that they have to adjust their pricing downward to keep the shopping-behemoth happy.  WM also told the movie studios that they better not get too excited about offering music downloads ‘cause they’ll start yanking their DVD’s off the shelves in their stores.  Should WM be able to push around all parts of the entertainment industry?  They can as long as they remain the biggest seller of their product in their stores (Apple is catching up in sales though).  Makes you wonder what else WM is going to decide that the entertainment industry is going to do next.

Jason Gross

 

2 March 2008

Wiki album- an idea whose time has come?

At the MusicThoughts mailing list, jam band guitarist/poet Clifton Johnston shared an interesting idea about the concept of a ‘wiki album.’ Since he expressed it so well, it’s worth quoting him in full and pondering his thoughts.

Jason Gross

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