“‘The Red Wing’ has a sense of fear and of loneliness, as if deserted in an abandoned city,” says Benjamin John Power. “The feeling of malevolence is something we hadn’t really explored in our music prior to this.”

On “Xanman”, Pond goes for crunchy Oasis rhythm and chords blended with hard rock beats, swirling textures and fuzzy vocals. It’s a pretty great single and is, indeed, the first single from the band’s upcoming fourth album, Hobo Rocket, releasing 5/6 August via Modular.

“The job of a sicario is to do away with the victim immediately, either with a bullet, a knife or a blow.” As he speaks, the hooded subject of El Sicario—Room 164 writes in a notebook, a numbered list of the weapons he names. “Quick and lean,” he continues, “So that the victim feels nothing more.” In answer to his own question, “How?”, he begins to draw a childlike outline of a car and to explain the difference between a professional sicario and an imitation sicario. Where the pretender fires dozens of bullets at a car—here he stabs at the page, bullet-dots all over the car he’s drawn—the real thing takes aim, needing only one shot to get the job done.

“Everything” is the record’s second tune and here Breach and Last Magpie remix the Coles original. Also, check out the original song in this set.