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Friday, Jun 14, 2013
by PopMatters Staff
The Metropolitan Museum of Art's current Costume Institutes exhibition is PUNK: Chaos to Couture.

If you’ve seen this at the Met and want a great souvenir or if you can’t make it to New York and want to experience the exhibit, then this book is for you. PUNK: Chaos to Couture is the official book released by the Museum to document this exciting event.


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Friday, Jun 14, 2013
Washed Out's Ernest Greene is ready to release his second full-length album next month, letting loose a single "It All Feels Right" that's already hitting the airwaves on heavy rotation.

His critically acclaimed debut EP, Life of Leisure (2010), practically coined the term chillwave and the song “Feel It All Around” can still be heard during the opening credits of Portlandia. PopMatters caught the band during the tour supporting 2011’s Within and Without.


Thursday, Jun 13, 2013
by PopMatters Staff
Just this week Paul McCartney stopped by 'The Colbert Report' for a special hour-long interview and performance, playing a number of Beatles and Wings tunes

Interview Part 1



Wednesday, Jun 12, 2013
by PopMatters Staff
Black Joe Lewis will release 'Electric Slave' on August 27th via Vagrant Records, with the group touring shortly thereafter. Today Lewis shares one of his new tunes, "Skulldiggin", with listeners.

Electric Slave is what people are today with their faces buried in their iPhones and the only way to hold a conversation is through text. The next step is to plug it in to your damned head. Nothing is up front anymore and people are de socializing.”—Black Joe Lewis



Wednesday, Jun 12, 2013
by PopMatters Staff
Enter to win a 2LP, limited edition, white vinyl edition of Akron/Family's 'Sub Verses'.

The best parts of Akron/Family‘s Sub Verses exist nicely in this space between comfort and the unknown, between growing and looking back on what you’ve done. “Whole World is Watching” is a sweaty, bluesed-out shuffle. It’s playful, the sound of friends dancing their way through the late hours of a house party, but the metallic echo the vocals are soaked in hint at some distant want, some need to break free they once had but are now, perhaps, setting aside in favor of community. “Until the Morning” is the clearest example of the notion of shelter here, a much more intimate exchange between two people dealing with past hurt, one at the door of the friend, the other inviting that visitor in. There’s a familiarity—“just throw your coat down anywhere”—but the greatest trick the song pulls off is how its early quiet feels awkward, even reticent, until the song blooms into mutual comfort, recognition of a long-built bond.—Matthew Fiander


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