Call for Papers: Anachronism in Art - Pros and Cons

Wednesday, May 22, 2013
Though his debut album Big Inner received some pleasantly good reviews from critics, there was an unenthusiastic turnout for indie folkster Matthew E. White's engaging set at the Bowery Ballroom.

With no more than 1/3 of its max capacity occupied, the Bowery Ballroom felt extremely spacious for once. Whether or not Matthew E. White cared about the turnout never became apparent as he still performed a full set, mostly drawn from his debut album Big Inner. Opener Helado Negro at least had a few people dancing along to his songs, but White’s music isn’t as conducive to dancing. But White himself demonstrated some synchronized steps alongside bassist Cameron Ralston, stepping side to side and around during the middle of a song. Some of his songs lacked the brass or horns that appeared on that album, but his smaller band worked well to keep the audience entertained. It is likely that the band were also enjoying themselves. As CMJ said, “The group has been touring this material for a while now and like any adventurous, talented group of musicians, it’s obvious they take a certain amount of glee in finding new wrinkles in them, stretching solos out into new shapes and trying out new arrangements just for the hell of it.” If you haven’t checked out the well received (critically) album from White, there’s still plenty of time to do so, and to catch him on tour in Europe during the summer. Dates are below.


Tuesday, May 21, 2013
by David Reyneke
In the midst of a craft beer revolution, a number of top-notch events have popped up in the hopes of educating consumers on the many facets of taste. But none have taken it quite as far as the prestigious SAVOR, which takes place in New York City on June 14 and 15.

While most beer festivals like to boast massive lists of breweries, SAVOR likes to invite a select handful of the finest craft breweries. That includes names like Ninkasi, Firestone Walker, Kane, Three Floyds, Cigar City and much more. Not to mention visits from some of the finest beer community luminarees, like Jim Koch of Sam Adams, Sam Calagione of Dogfish Head, and Garrett Oliver of Brooklyn Brewery.


On top of the prestigious list of brewers and breweries in attendance, each beer will be matched with complementing food dishes headed by Adam Duyle, chef and owner of San Francisco’s the Monk’s Kettle and The Abbot’s Cellar. Care to hear about a couple pairings? How about Ommegang’s Three Philosophers matched with pilled lamb cassoulet. Or, New Belgium’s Paardebloem paired roasted peach on brioche with fried pancette and dandelion greens.


Tuesday, May 21, 2013
Organized around an art exhibit the band curated, Small Black performed an intimate show to preview their new album Limits of Desire. Around the corner, the Bottleneck Gallery had an opening night reception as well.

I first came across the band Small Black when they released the Moon Killer mixtape (available below), which included the track “Love’s Not Enough” sampling “Your Love” from Nicki Minaj. However oblivious I was to the Minaj vocal sample, I was still drawn to the chillwave track—it was as appealing as the best from Beach House, Washed Out or College (a band that came to us courtesy of the Drive soundtrack). I never sought out their older albums/efforts, but when I heard they were releasing a new album, Limits of Desire and kicking off a tour with an art show and DJ set, I went to check it out. Little did I know that the reported “DJ set” was really a proper band performance—and would encompass most of the new album. The band didn’t discuss the art itself (I would have liked to know what those fabric scraps represented), save for thanking the man projecting the visuals across their faces, but they were amped to perform. Near the end of their set, they played the single “No Strangers”, a wobbly, dreamy pop tune that is sure to make summer playlists.


Enroute to 7 Dunham, the gallery Small Black had booked, I made a pit stop just around the corner at the Bottleneck Gallery for their mixed artist opening night reception dubbed “I Love You Man”, with art featuring buddies and bromances from popular culture. I was most charmed by the Calvin and Hobbes 3D cutout works but at a couple hundred dollars each, I had to pass (they were already purchased anyways). Other intriguing works were a series of Cornetto-themed images (with the various buddies played by Simon Pegg and Nick Frost in Shaun of the Dead and Hot Fuzz), a scratchboard piece featuring Rocky & Bullwinkle, plus pieces inspired by Three Amigos, Ghostbusters and one figurines set of Ren & Stimpy. But a lot of the works only merited a “meh” whether it was because the theme was not of interest or the art itself didn’t seem inspired. The gallery’s next show does seem promising however and may be worth checking out (flyer is below) as it features the singular talents of one artist.


Monday, May 20, 2013
Over the course of almost four hours, four collectives, each with special guests, battled to win the audience's applause and the Culture Clash 2013 title.

Repping their differing genres of dance music, the crews/teams of Young Guru & Just Blaze, Que Bajo?!, Federation Sound, and Trouble & Bass competed in the Red Bull Music Academy’s Culture Clash event at Roseland in New York City. Anyone who was slightly interested in hip-hop should have been there as this four hour sweaty dance fest only cost 10 bucks and special guests were anticipated. Each outfit had their own mini stage with speaker systems, and during the various rounds, brought out more guests than I could have possibly expected. Some guests were just there as spectators however—like RBMA alum Flying Lotus, who had done two shows at Terminal 5 a few nights before alongside Thundercat and Ultraísta (a couple of pics from his show are below).


Monday, May 20, 2013
More than 60 acts are now confirmed for the festival, which runs from May 30 through June 2 in Nelsonville, Ohio.

Several acts have been added to the 2013 Nelsonville Music Festival, including Lee Fields (& The Expressions), the Bindlestiff Family Cirkus, Joe Pug, You Black Kettle, Los Hacheros, and Flying Clouds of South Carolina, who are returning after a standout performance at last year’s festival. Though set times for non-headliners have not been announced, the full day schedule is available:


Thursday, May 30


Gogol Bordello (headlining set at 10:30 p.m.)
Wild Belle
Los Hacheros
Old Light
County Pharaohs
D-Rays
Hex Net
Unmonumental
Weedghost
JJ Reed
Michael Hurley
Chris Biester


Friday, May 31


Cat Power (headlining set at 9:00 p.m.)
The Coup
Lee Fields & The Expressions
He’s My Brother She’s My Sister
Los Hacheros
Nick Tolford & Company
Anais Mitchell & Jefferson Hamer
JD Hutchison
Reigning Sound
Screaming Females
Endless Boogie
Wooden Indian Burial Ground
Cotton Jones
William Tyler
Old Light
The Hiders
Michael Hurley
Anais Mitchell & Jefferson Hamer
Catherine MacLellan
Olentangy John
Adam Remnant
Cotton Jones
Todd Burge
JJ Reed
Leah Nairn
Emily Prince


Saturday, June 1


Wilco (headlining set at 10:00 p.m.)
Mavis Staples
Calexico
Sharon Van Etten
Jonathan Richman
Lucius
Flying Clouds of South Carolina
Honeycutters
Shilpa Ray
Wussy
Country Pharaohs
Sundresses
Wheels On Fire
You Black Kettle
Joe Pug
Michael Hurley
Jerry David Decicca
Lucius
Catherine MacLellan
Shazzbots
Todd Burge
Chris Biester


Sunday, June 2

John Prine (headlining set at 6:00 p.m.)
Tift Merritt
Field Report
Flying Clouds of South Carolina
David Wax Museum
Brown Bird
Catherine MacLellan
Jerry David Decicca
Rattletrap Stringband


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