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6 May 2008

Requiem for The Regal Beagle: A Mostly Fond Recollection of Three’s Company

If Jack Tripper was running for president, which candidate would you rather have a beer with at The Regal Beagle?

The last thing I want to be accused of is venerating the same sitcom that, it seemed, virtually everyone who was not a teenager in the late ‘70s and early ‘80s felt certain signaled the end of the world as we knew it. But we felt fine. Hey, I lived through those dangerous days and survived. I watched Three’s Company and not only enjoyed it, then, I certainly don’t regret it, now. I regard that show kind of like I view my Catholic upbringing: it was probably not necessary and it’s likely that those hours (in church, in front of the TV) could have been better spent. But, for better or worse, they helped make me what I am, so I’ll make no tardy attempts to excommunicate Cardinal O’Connor or Jack Tripper from my memory bank. In this much-maligned shows defense, and unlike the Catholic church, it never pretended to be something it was not: an enterprise that puts profit above product and always answerable to a higher authority.

Not sure, in hindsight, if Father So-and-So’s sermons gave me more nightmares than Joyce DeWitt’s curious allure, or who was the worse actor—my divorced CCD teacher or Suzanne Somers (I’m pretty sure Somers wins purely on aesthetic points). We can point to Don Knotts’s (R.I.P.) floral crimes against fashion, but at least he was a product of the times, unlike the enduring sartorial styles still in vogue at the Vatican. And let’s get real: if Jack Tripper (R.I.P.!!) were, well, real, and he was running for president, which candidate would you rather have a beer with at The Regal Beagle?

But special props must be set aside for the immortal (yes, I said immortal) Norman Fell (R.I.P.!!!). If there was ever a “sixth man” award for TV shows, Mr. Roper would be a lock. In fact, it should henceforth be known as “The Norman Fell Factor” when a minor—but indispensable—character is given props by fans in the know. His sardonic asides to the camera were revolutionary in their own understated way; breaking the fourth wall to make inside jokes with the audience, edging toward something approximating postmodern long before, say, movies like Ferris Bueller or subsequent TV shows like Moonlighting made it an almost obligatory—and far less subtle—device. Of course, this strategy already existed on TV, dating as far back as stories have been told to audiences, and are recurrent in Cervantes, Shakespeare and Sterne, not to mention Melville (call him Ishmael) and the late, great Kurt Vonnegut. In other words, Fell was neither the first nor the most effective practitioner of this tactic—he was simply one of the funniest. In his relatively quick moments on screen, he could throw the audience, and himself, a bone each week—his antics would not have been nearly as amusing if his role were larger.

Maybe it’s a guy thing. Check that: did any women ever watch Three’s Company? Stanley Roper’s self-satisfied mugging was a highlight of each episode, and while the mere name Ralph Furley prompts a chuckle, by the time that bug-eyed, pants suit wearing rascal came on the scene, the shows best days were behind it (bet: that is the first time the words “the shows best days” have ever appeared in any appraisal of Three’s Company). And don’t kid yourself: I’m not about to forget our favorite used car salesman, Larry Dallas. Larry was more than just Eddie Haskell grown up and acid-tested; in many ways he anticipated both George Costanza and Cosmo Kramer (in other words, he was the original poor man’s Larry David). Okay, that’s stretching it, but one thing is for certain: while the Ropers got their chance to grasp the brass ring, the biggest crime Three’s Company ever committed was not spinning off Larry’s character for his own series. Just kidding. Sort of.

Sean Murphy

For those that weren’t wean on Three’s Company (like me), let me provide a recap of *every* episode....

* two of the three hatch some hairbrained scheme
* the 3rd one (not in on the scheme) overhears the plan but misconstrues it have something to do with sex
* hyjinx ensue
* resolution
* credits

If real-life was only so predictable (and had it’s own laugh track).  Long live Three’s Company...but may “Three’s a Crowd” rot in hell.

Comment by J — May 6, 2008 @ 10:21 am

I didn’t know of your abiding respect for TC!  OF COURSE women enjoyed that show-- I wanted Chrissy’s bouncy blonde hair (her bouncy, uh, other assets were lost me-I was just a kid).  Mr. Roper thought Jack was gay!  Brilliant!

Comment by Beth — May 6, 2008 @ 10:57 am

Had the pleasure of meeting Joyce DeWitt a couple of weeks ago at an XM Radio taping in DC. She did a reading from Richard Barone’s book, Frontman, and even sang a song. She was very good. She was very friendly and I even got a picture with her. She looks just like she did 23 years ago when the show ended. Believe it or not she turned 59 last week.

Comment by Jim from Ellicott City, MD — May 6, 2008 @ 11:49 am

Ahh...Three’s Company...just the mention of it makes me so happy.  I think this sitcom represents TV shows when they were so much simpler.  Let’s not kid ourselves, as Mr. Murphy so aptly writes, this sitcom wasn’t going to be nominated for any awards, but wow was it so harmlessly funny.  When Mr. Roper looked into the camera and gave us that crafty smile (usually after making fun of Mrs. Roper) it was sheer genius.  When Three’s Company comes on the TV, I stop what I am doing and watch, while reminiscing about the good ol’ days.  May John Ritter rest in peace...I still cannot believe he passed away.  I hope he is hanging with Norman Fell in heaven.  You know what’s wrong with Three’s Company?  Absolutely nothin’!

Comment by John Santoro from Herndon, VA. — May 6, 2008 @ 2:37 pm

— PopMatters sponsor —

With all due respect, I don’t think you’re giving the show enough credit.

:)

Comment by Alex from up north — May 7, 2008 @ 1:56 am

Thank you Mr Murphy for the hilarious and so true recap on Three’s Company.  Jack crashing his bike on the boardwalk while checking out the ladies in the opening credits was priceless.  Truly a classic for all that it was and all that it was not!

Comment by Mark Seferian from Boulder, Colorado — May 8, 2008 @ 12:22 am

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