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Friday, Jun 15, 2007
Spook: Adventures in the Afterlife  by Mary Roach W. W. Norton July 2007, 228 pages, £14.99

Spook: Adventures in the Afterlife
by Mary Roach
W. W. Norton
July 2007, 228 pages, £14.99


From the number of atheist polemics hitting the bookstands in recent months, you could be forgiven for thinking we are entering a new era of scepticism and rationality. Yet in spite of the arguments emanating from scientific and philosophical corners, millions of people worldwide continue to hold to religious and spiritual beliefs that seemingly defy reason.


Author of the bestselling Stiff: The Curious Lives of Human Cadavers and self-confessed sceptic Mary Roach has entered into the debate with a review of the scientific evidence for what happens to her stiffs after they pass away. In a highly entertaining journey through the creepy, the wacky and the downright deceitful, Roach tackles reincarnation, ectoplasm, ghosts and whether the human soul has a weight.


Except for the reincarnation chapter, most of the “afterlives” explored are from Western traditions, predominantly 19th century-style spiritualism. This is probably wise, because Roach’s writing sometimes veers into a kind of superior sneer at the sheer silliness of it all. While it’s funny to read, it could have left her open to accusations of cultural insensitivity. It is much simpler to stick to widely disregarded beliefs held by only a small number. This is also a weakness, however. A large percentage of believers in an afterlife belong to major religions such as Christianity and Islam, which are barely covered in Roach’s examination.


Strangely enough, despite the lack of any unambiguous evidence and her strong pre-disposition to unbelief, Roach ultimately finds some room for a possible afterlife. There is no light-bulb moment, no Damascus Road experience, but the conclusion of the book seems to leave open the possibility that there are more things in Heaven and Earth than were dreamt of in the author’s imaginings. Perhaps this is the small gap between reason and wonder that religious people have usually called “faith”.


Wednesday, Jun 13, 2007

Since PopMatters has an affiliation with Soft Skull Press, I thought I might point out that, as a consequence of being bought out by Winton Shoemaker, Soft Skull is short of cash:


One little bit of hell right now is that we are seriously b-r-o-k-e for the next 6 weeks because this deal is not scheduled to close until June 30th. So, as a result, 40% off virtually everything on the Soft Skull website! Buy early, buy often!


Shop away!


(Via Bookslut and others)



Tuesday, Jun 12, 2007

EXCLUSIVE Podcasts: Redemption Song: The Ballad of Joe Strummer


Following in the footsteps of PopMatters’ exclusive five-part series of excerpts from the new Joe Strummer biography in May, we now offer the podcast accompaniment.  Chris Salewicz’s book, Redemption Song: The Ballad of Joe Strummer, is the most in-depth and in-the-know look ever at Strummer, a genuine rock and roll legend, as well as the history of the Clash.  Pop these podcasts into your pod-like musical device or stream them right here.  Then head over to Amazon post-haste and pick up this essential book for any music fan.


In the first installment, beginning with news of Strummer’s death, Salewicz remembers Joe’s drive, humor, and constant internal conflict.
Read the excerpt here.
Part One: Straight to Heaven—2002 [MP3]
     


Hop aboard the Anarchy tour bus for an exclusive ride with everyman’s thinking man and his smart band: the Clash’s first tour, first single, and their first album.
Read the excerpt here.
Part Two: Under Heavy Manners—1976-1977 [MP3]
     


Strummer hangs with Warhol; Thatcher comes to power, and after a lot of sweaty work in a shadowy space in the back of a garage, London Calling is unveiled like a gleaming, bad-ass drag racer.
Read the excerpt here.
Part Three: Red Hand of Fate—1979 [MP3]
     


Megavitamins and beer, egos and conflict, Combat Rock goes on tour and Mick Jones gets the (combat) boot.
Read the excerpt here.
Part Four: Anger Was Cooler—1982-1984 [MP3]
     


Earthquake Weather sets Strummer wandering solo through his “wilderness years” in the not so barren climate of Southern California.
Read the excerpt here.
Part Five: On the Other Hand…—1988-1989 [MP3]
     


Joe Strummer and The Mescaleros - Redemption Song



Saturday, Jun 9, 2007

Let me begin with a disclaimer: when I expressed interest in reviewing this book, I wasn’t aware just how young were the “Young Artists” for whom this book is evidently intended. Niedzviecki, founder of the art zine Broken Pencil, is something of an indie guru, and I’d assumed this would be a book for the art college crowd about zines, blogs, websites, and other ventures in self-publishing, along the lines of Ellen Lupton’s fantastic D.I.Y: Design-It-Yourself (Princeton Architectural Press, 2007). In fact, however, it’s actually a book for young teens. Now, I don’t know any young teens, and it’s a long time since I’ve been one, but I’m going to give it a shot anyway, so please bear with me.


The Big Book of Pop Cultureby Hal NiedzvieckiAnnick PressApril 2007, 176 pages, $14.95

The Big Book of Pop Culture

by Hal Niedzviecki

Annick Press

April 2007, 176 pages, $14.95


The Big Book of Pop Culture may not be as glossy, as big (or as pricey) as similar books aimed at this age-group, and the examples might date pretty quickly (which is always the case with pop culture), but it’s packed full with projects, ideas, plans, and inspiring sidebar interviews with young people who did it themselves: the producers of zines, blogs, self-published books, magazines.


In fact, I wish I’d had a book like this when I was a kid. Not only is it handy sized, appealing to the eye, and neatly produced, but it’s also full of projects that look like they’d be great fun to try. Quick and easy ideas, like keeping a family journal or writing fictional stories about your problems, are designed to help emerging artists get ready to tackle more ambitious works, and Niedzviecki is full of encouraging advice about what to expect, how to get things done, and how to avoid feeling disheartened when your ideas don’t work out as planned. Once these easy projects have been mastered, there are lots of suggestions about how young artists can use the tools of modern media to make popular culture of their own, in the form of print (self-publishing zines, comics, and books), video (making movies and shows), CDs (creating original music), or online (blogs and webzines).


Significantly, The Big Book of Pop Culture isn’t just about how kids can make culture of their own, it’s about teaching them to recognize mainstream pop culture, and to understand where it comes from and how it circulates. Niedzviecki has a strong and clear message here, and it’s a message about the corporate system and how it works to limit the kind of narratives kids tell about themselves and their experiences. By explaining to young adults how power works, how popular culture emerges, and how it has a tendency to co-opt independent ventures, Niedzviecki suggests ways for kids to think about models of success and self-expression that are different from those espoused by the mainstream media. This, ideally, will help them to create new communities and more personal kinds of grassroots-level cultural expression, which really do have the potential to transform our future, whatever age we might be.


Sunday, Jun 3, 2007

Last month I bought a copy of Pliny’s Natural History at a library book sale. Now I know at least a dozen things that I hadn’t known before. For example, if I am having trouble with excess phlegm, I should kiss “only the little hairy muzzle of a mouse.” That will make the phlegm go away. If I am eating bread and a crumb gets lodged in my throat, I need to take two pieces from the same loaf and place them in my ears. That will dislodge the crumb. If I have the same trouble with fish, the cure is to take bones from the fish and put them on my head.


To give birth to a black-eyed child, eat a rat. To heal a cancerous sore of the gums, administer powdered sheep dags. The “black liquor” found in cuttlefish, if burned in a lamp, will “make all those in the room to look like blackamoors or Aethyopians.” Blackamoor isn’t Pliny’s word, of course. The Natural History I bought was a reprint of the 1601 translation by Philemon Holland, Doctor in Physic. A wonderful book. It cost 50 cents.


Our largest local library, a 20-minute walk away, has one of these book sales every month. The Friends of the Library lay out tables and boxes of books, they man the grey tin box in which money is kept, they offer help to people who are struggling with armloads. They can be frosty if crossed. All are named Joyce.


Normal prices range from 50 cents to a dollar. The larger books are set aside and individually priced: three dollars, five dollars, depending on the book. For two months running they had a special price, five paperbacks for a dollar. That’s Trainspotting, Women in Love, all four of Colette’s Claudine stories, A Spy in the House of Love, an autobiographical Michael Ondaatje, and so on, all for 20 cents each. They’re good for gloating, library book sales.


I hoover up stacks of books and retreat into a corner by the men’s toilets to sort them out into piles which I mentally label ‘Keep’ and ‘Put back.’  At least one person will come and hover wistfully over my pile. Occasionally they try to steal a book. “Sorry,” they say when I fix them with my glowering eye and frowning brow. (To darken the eyebrows rub them with ant eggs, writes Pliny.) “I didn’t realise that was yours.” I believe them; they didn’t. They’re so flustered. A middle-aged Chinese woman once trailed me around the room, lusting after my Bacon.


“He is a very good writer,” she said. “The book is a very good book. I wish I had found it.”


She was right, he is, but I wasn’t going to give him up. Is it strange to wonder why a Chinese woman with hesitant English should be so in love with to Bacon’s essays? Well, I once found a copy of Paradise Lost in a Japanese library with Japanese annotations hand-written in the margins from beginning to end—translations of words like “glozed” and “virtuosest”—so why shouldn’t she be? How many English-speaking readers finish Paradise Lost, never mind Japanese-speaking ones? Who wrote those annotations? And what were they doing in Mito, a middle-sized administrative town known for fermented beans and a dead aristocrat? Lord Misukuni Tokugawa was an author, though: he started a series of history books, the Dainishonshi. There is a copy of this series in the Mito City Museum, another wonderful place, dark inside, full of glass cases and stuffed animals and insects in dioramas. The museum in Melbourne used to be like that before they built a new one and rehoused the dusty animals (the tiger with its glazed and gleaming teeth; the native fauna staring glassily) in a series of well-lit, open spaces that stole away their mystery and made them seem tatty.


There’s territoriality at book sales. People shove. If confronted, they apologise in pale, blushing voices. They do not shout. The only person who raises his voice is a bearded man who comes along every month and declaims at the Joyces. In an ideal world he would be a Dickensian figure, a dotty Mr Dick, fixated but loved. In reality he is self-important and bossy and he irritates them. He never seems to notice. Pliny does not give a solution to the problem of deluded men with beards. But did you know that “malefactors or suspected persons” can be made to tell the truth if they consume the herb Achaemenis in wine? “For in the night following they shall be so haunted with spirits and tormented with sundry fancies that and horrible visions, that they shall be driven perforce to tell all”? Do the people at Guantanamo Bay know about this? It sounds a little quicker than the current system.


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