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Books Articles: May 2008

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[Fri, 9.May.08]

Ducker turns away from some of the more sorrowful themes of his past to have a little fun at money's expense, and in doing so highlights some of the contradictions of Colorado with a sense of charm and wit.

This could've been written while sitting at one desk and never even seeing the inside of the Pentagon, or any military establishment, or speaking to a single person with any knowledge on the subject.

[Thu, 8.May.08]

:. Unaccustomed Earth by Jhumpa Lahiri

Lahiri often confuses size with scope, hoping that by making her stories long they will achieve some sort of literary heft.

:. Madness: A Bipolar Life by Marya Hornbacher

The problem here may be that Hornbacher doesn't remember much of her own life, which would make writing a memoir difficult.

[Wed, 7.May.08]

:. All Music Guide Required Listening: Classic Rock by Chris Woodstra, John Bush, Stephen Thomas Erlewine

Overall, this is just what you’d expect from the creators of the AMG online database: exhaustive in its approach and attempts to give readers an understanding of the bigger picture.

Relish will appeal to Victorian history buffs, dedicated foodies, and those who love compelling biographies of the once-famous, now-obscure.

[Tue, 6.May.08]

Ambrose hypnotizes readers with his sheer, unflinching ability to capture the confusion, betrayal, and regret that must be present in every possible world.

It is his efforts in saving others which lend the book its title, and earned Schonhaus his nickname as the “Jewish Schindler”.

[Mon, 5.May.08]

:. The Sorrows of an American by Siri Hustvedt

Hustvedt's ability to incorporate so much material so seamlessly makes reading this book like drinking a wonderful old burgundy: rich, complex, lush, smooth.

:. A Dangerous Age: A Novel by Ellen Gilchrist

Evidently Gilchrist missed the sickening exposés of conditions at Walter Reed, or chose to overlook them.

[Fri, 2.May.08]

:. Coal Black Horse by Robert Olmstead

Spare, poetic lines render ghostly a world where death is too commonplace to haunt, but too pervasive to ignore -- the story of a boy learning a man's lessons.

Coplan's work here sometimes sags under the soggy weight of too much praise, but the whole thing is so good that the distraction is forgivable

[Thu, 1.May.08]

Sublette, who thinks like a historian and writes like a pop critic, relates the origins of New Orleans unlike any other on the globe as a convoluted, carefully detailed yarn that’s even more entertaining because it’s true.

The Race Card brilliantly forces thinking on practices such as profiling to new levels of candor and complexity.

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