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And the Academy Awards Nominees Are… Straight
Films about LGBT people that are aimed at mass audiences win awards; films about LGBT people that are aimed at LGBT audiences… not so much. So, here's the Queer, Isn't It? Best Pic nominees. [10.Feb.12]
Playing Guarde: Music Metacreation and the Vanguard
To create something or to create something that creates something; that is a question. But if you lead an electric horse to art, does it dream of the avant-garde? [9.Feb.12]
Film Archiving: The Importance of Enlightening Those Audiences Sitting in the Dark
Special programs devoted to cinematic greats like Alfred Hitchcock or Deborah Kerr might be the flashiest part of an archivist’s job, but fiction curator Jo Botting also enjoys tracking down rare films and ensuring the next generation gets to see them. [7.Feb.12]
'Nebraska': Bruce Springsteen's 'Heart of Darkness'
In 1982, with the charts ruled by “Physical”, “Don’t You Want Me” and “Eye of the Tiger”, along came a low-tech record about killers, small-time thieves and other forgotten souls -- and it's still one of the best albums in American music. [6.Feb.12]
Kafka Noir: 'The Sickroom' and 'A Country Doctor'
Serge Marcotte's The Sickroom compresses Franz Kafka's A Country Doctor into a nightmarish rush of hard-boiled film noir cynicism that, like all the best literary adaptations, is simultaneously faithful and unique. [3.Feb.12]
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Al Mundy (Robert Wagner) enjoys a reputation as a world-class thief, a glamorous burglar, a pickpocket's pickpocket. Too bad he landed in prison.
I'll Be There in the Morning offers an affectionate but hardly rose-colored view of Townes Van Zandt and his influence on other songwriters.
As challenging as it can be to grow up gay or lesbian in an area where the next closest homosexual is 50 miles away, it's often not the sad existence that an urban dweller might assume it to be.
Yet for all of the good will and good information generated by focusing on Grambling, there is still a deeper story to be told about the other great black college football programs and coaches.
Critics can be fools, particularly in their own eyes. Here are five jazz discs from 2011 that should have been on my top ten list but slipped from view, then. It's not too late to dig them.
Where are these towns and neighborhoods that Montgomery Gentry sing about? The Mythical Country; the country that exists in the collective imagination of Nashville songwriters and singers, and that of the audience.
By the end of this film, the line dividing Tabloid from “the tabloids” thins to the point of imperceptibility.
War is a science, science is an art and art, as Library After Air Raid attests, is everything.
Batman is a bit player in his own story, and I think a lot of that stems from his desire to save everyone.
The HBO dramedy How to Make It in America, despite being one of television's best programs, could not make it because it was too hopeful and joyful to survive a culture of cyncism.
Now that The Artist gave the Golden Globes a distinctly French flavor, and Meryl Streep fueled the controversy in the British camp, a simultaneous rapprochement and tension defines the relationship between the European and American film industry.
The most frustrating thing about the controversial new copyright legislation making its way through Congress? It lacks creativity.
Bilal Oliver belongs to an elite class of late '90s Neo-Soul singers, but his guest appearances may be the true gems of his career.
Caroline Moorehead's A Train In Winter, like Daniel Mendelsohn's The Lost, leaves nothing to the imagination, a decision that makes reading it simultaneously engrossing and deeply disturbing.
Mort Sahl and Lenny Bruce were more than just maverick dissenters; they were the founding fathers of what would later coalesce under the umbrella of the “counter-culture”.
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