Wednesday, November 30 2011
Comics writers and artists are turning to Kickstarter both to fund specific projects and to buy themselves time to create.
Wednesday, October 19 2011
There is goodwill to be spent and good faith conversations to be had about the place of women and female characters in the DC and Marvel universes, and an event like Geek Girl Con is an ideal place for that kind of dialogue.
Thursday, September 15 2011
We often think of comic books as the height of escapism, but recent events point to an industry in a death spiral, due in no small part to how badly it mistreats the writers on which it depends.
Tuesday, September 6 2011
While there are prose books that use pictures for illustrative purposes, only in comics are stories actively told through both written words and drawn pictures.
Wednesday, July 6 2011
Marvel producers are attempting to create a film analog to the Marvel Universe that knits together the publisher's mainline titles. Will moviegoing audiences keep coming back for the next story, and the next?
Monday, May 23 2011
Bounding from the pages of comic books onto the screens of films and TV, our superheroes unite formerly divided interests -- comics geeks vs. everyone else.
Wednesday, March 30 2011
Whether CBGB had a special poetry to it or was nothing more than a decent rock club is less interesting than the debate itself.
Wednesday, March 9 2011
Are Quantum and Woody a dynamic duo, or just another wearying odd couple with a duo dynamic?
Tuesday, March 1 2011
Will motion comics become the digital equivalent of the film strip? Merely an interesting artifact of a particular period of media production? Or are they the crude beginnings of a new art form?
Monday, February 14 2011
Punk is no vacuum, no airtight, sealed white music form. It's a repository of culture -- magnetized, manifold, and chock-full of merit – that was, and is, impacted by Jewish, black, and Southern experiences.
Wednesday, February 9 2011
Sam Raimi’s Spider-Man trilogy is like his Evil Dead trilogy: the first entry is self-conscious, the second is more of a remake than a sequel, and the third is so different from the first two that it almost qualifies as a different genre.
Friday, February 4 2011
Much as Walt Disney would do with his famed television programs of the '50s and '60s, Lynd Ward used his talents with watercolor, oil, brush and ink, mezzotint, and lithography to illustrate hundreds of inspiring historical biographies of true-life American heroes for children to admire and emulate.
Friday, January 21 2011
Regardless of format, what seems unlikely to change is the use of comics for serial storytelling. In the future, this may take place on the web, or in e-editions, it may not follow a monthly publishing schedule, but like television, comics is both historically associated with serials and well-suited to making and delivering these kinds of stories.
Wednesday, January 19 2011
The Mighty Morphin’ Power Rangers TV series was after my time, and a passing glance at any given episode was enough to convince me that it was, well, 'stunted'. So why have I seen Power Rangers: the Movie five times?
Tuesday, December 14 2010
Through some of the best comics of 2010, we look at how stories are told in comics, and how the medium benefits from being a subcultural or marginal form of narrative art.
Tuesday, November 30 2010
It seems that Todd McFarlane designed Spawn’s cape to billow wildly just so that it would obscure Spawn’s feet, so that he wouldn’t have to draw them.
Tuesday, November 16 2010
The original Supergirl and her readers would no doubt be scandalized by the current length of her skirt and exposed skin, not to mention her toned physique.
Friday, November 5 2010
Take Your Daughter to Work Day: A Father Reflects on Years of Force-feeding Pop Culture to His Child
How will my daughter feel when her friends greet her in 2030 with an enthusiastic shout-out to Hannah Montana or SpongeBob SquarePants and she can only remember Bebop, Rocksteady, the Gentleman Ghost and Gyro Gearloose?
Tuesday, October 26 2010
In a conversation with Jerry Robinson, the man who created the Joker, we learn he is much like the superheroes with which he will forever be identified; his career reflects a lifetime of pushing boundaries, challenging conventions, and fighting for artistic integrity.
Tuesday, October 5 2010
The long-term serialization of comics means that different creators get a chance to work with characters and storyworlds originally written by others. On occasion, they're given license to run wild.