Recent Culture at Large Columns

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Monday, November 9 2009

Table Space: The Final Frontier

The impressive part of 2001: A Space Odyssey isn’t what they have in the future, it’s what they don’t have: clutter.

Thursday, October 29 2009

Crime, Delirium, and Paris

In the second installment of his overseas correspondence, the Rockist gets robbed. And this time, not by an American corporation.

Monday, October 26 2009

Health Care in America has Gone to the Dogs

Compared to the modern-day American, their dogs have the best of everything: questionable intelligence (i.e., happiness), poor memories (i.e., forgiveness), and low expectations (i.e., contentment).

Friday, October 23 2009

The Name of This Land is Hell: Mexico in Literature

When the author of a sitcom-styled novel about Mexican heritage cannot resist mentioning the modern-day carnage, then it's fair to assume that the murders have become a significant part of the national identity.

Thursday, October 22 2009

The ‘Ol Crotchety One Kicks It Transatlantic Style

PopMatters sends its weekly culture columnist abroad, with hopefully a one-way ticket.

Friday, September 25 2009

Hal Ashby: Hollywood Rebel

Films and books strive toward a common goal: telling a story. And very few modern filmmakers are as good at spinning a yarn as the late Hal Ashby was.

Thursday, September 10 2009

Jewish is Coolish…At Last!

My people can finally emerge from behind their nebbishy personas to assume their proper place in the coolness pantheon.

Tuesday, September 8 2009

A Beatnik Tuna (Fish)

Charlie the Tuna fish is an homage to the Beat generation’s playfulness and experimentation with language.

Friday, September 4 2009

Ride This Time Machine Down a Road Less Traveled

Jump into that ’59 Cadillac Eldorado Biarritz with the maxed-out tailfins, contemplate what an original Barbie doll could fetch on eBay, and enjoy this roll call of Reasons Why Everything Changed in 1959.

Thursday, September 3 2009

Drunk and Driven

Delilah's on Lincoln Avenue in Chicago is everything The Rockist wants in a bar. Loud. Comfortable. Cheap.

Friday, August 28 2009

Rabid and Rascally Creatures: Richard Brookhiser’s “Happy Darkies”

Familial or political, conservatives in America actually have no moral boundaries whatsoever.

Thursday, August 27 2009

Dear Mr. Denby: In Defense of Inglourious Basterds

Quentin Tarantino drives critics nuts because he loves movies. 'New Yorker' critic David Denby drives The Rockist nuts because he hates movies.

Thursday, August 20 2009

Vinyl Dependent: The Needle and the Damage Done

The independent record store lives another day. But how long can the vinyl lifeline continue to keep them afloat?

Tuesday, August 11 2009

TIE Fighter: A Post 9/11 Parable

As the only Star Wars game that has you serving under the Empire without remorse, TIE Fighter lets you experience being a servant to a massive government just after a terrorist attack.

Thursday, August 6 2009

‘Green Onions’—The Greatest Single of All Time

Booker T. & the MGs found themselves together, in a city of segregation, in a time of severe racial tension, and recorded a progressive, utopian party song.

Friday, May 1 2009

Like Movies—with Buttons

Like Edwin S. Porter realizing that a series of shots was how you structured a film, games have to abandon the presumption that they need to obey a linear narrative or controlled message and just let the player loose.

Wednesday, March 11 2009

Kids Listen to the Darndest Things

Like these kids, my enjoyment level has never been as high as it was for the crap I loved when I was 13.

Thursday, February 19 2009

Oscar Nominated Short Films 2009

Unlike stiff features like The Reader or even the wildly uneven Curious Case of Benjamin Button, this year's Oscar-nominated shorts program is pretty much a risk-free venture.

Wednesday, February 11 2009

Beyond the Bubble of the Grammys

The Grammys suffer from the same problem as the rest of the recording industry: thinking America defines culture.

Thursday, January 29 2009

A Perverted Perception of Movies

The success or failure of The Pervert’s Guide to Cinema hinges greatly on what one thinks of Slavoj Zizek's free-range associations on desire, blood, human waste, castration, and social control in films.

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