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Eberhard Weber
Bass ReflectionsJazz TodayMiroslav VitousUniversal Syncopations II(Ecm) US release date: 20 June 2007 [17 October 2007] by Will LaymanRecently, two most idiosyncratic jazz bass players, Miroslav Vitous and Eberhard Weber, released riveting, odd, ambitious recordings, suggesting the importance of the bass tradition to the larger history of the music.
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Fine article.
Two of my favorite contemporary jazz composers are bass players: William Parker and Adam Lane, which perhaps can be a testament to the instruments position in jazz. Parker’s been around for years, of course, but he continues write and play exciting and challenging music in various settings. I honestly think he deserves more recognition, especially in Europe where he remains largely unknown.
Lane is one of those who has a foot outside of jazz. He is often likened to Mingus, who is no doubt an inspirition, but as I once wrote on my blog, where Mingus looked to politics to fuel the energy of his music, Lane looks to avant rock.
Never been a huge fan of neither Vitous’ nor Weber’s music. Like many of ECM’s releases I’ve often found their music too cold, for lack of a better word, but I’ll certainly give their new records a spin.
C
Comment by Chris Monsen from Oslo, Norway — October 17, 2007 @ 3:12 am