Photo (partial) from Piano World.com

The Gap: Paul Bley

[3 January 2008]

by Will Layman

Paul Bley seems to be that rare jazz musician who has made a romance with the avant-garde seem easy on the ears.

Nice article Will. I was late to Bley as well but quickly became an addict. My absolute favorite is “Memoirs” on Soulnote with Charlie Haden and Paul Motian.

Comment by Mike Webber from Ft. Worth, Texas — January 3, 2008 @ 1:01 pm

Add a comment

Please enter your name and a valid email address. Your email address will not be displayed. It is required only to prevent comment spam.

Remember my personal information

Notify me of follow-up comments?

Please enter the sequence of letters and numbers you see in the image above. Do not include any spaces.

Jazz Today
Selling the Melody

Selling the Melody

Will Layman

09.Oct.08

From the lips of Melody Gardot -- heard in her swinging Cole Porter for an automobile -- there's another tentacle of jazz pushing forward, finding its way into our ears.

Looking Back at Brubeck

Looking Back at Brubeck

Will Layman

21.Aug.08

Dave Brubeck has been incredibly popular, neither simplistic nor crass, yet critics have never much liked his music. What if you listen to him -- to his long career -- with fresh ears?

Double Standards

Double Standards

Will Layman

17.Jul.08

What does it say about our time and place that our two boldest -- maybe best -- jazz singers, Patricia Barber and Cassandra Wilson, are returning to singing standards again?

 
 

RECENT COLUMNS
MORE COLUMNS
:. recent columns :. full archive
The Screener: Irrational Exuberance
By Chris Barsanti
[10.Oct.08]
Jazz Today: Selling the Melody
By Will Layman
[9.Oct.08]
Canon Fodder: DIY: Takahiko Iimura
By Michael Barrett
[8.Oct.08]
The Screener: In the Land of the Blind
By Chris Barsanti
[3.Oct.08]
Marginal Utility: The Database of Self
By Rob Horning
[2.Oct.08]
The Screener: Pretty Vacant
By Chris Barsanti
[26.Sep.08]
The Screener: The Cold Season
By Chris Barsanti
[19.Sep.08]