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The Profound Consolation: The Use of Bach's Music in the Films of Ingmar Bergman (Part 1)Variations on a Theme[13 October 2006] by Chadwick JenkinsIn Bergman's films, Bach's music functions to give access to a rarified atmosphere of revelation and emotional depth; it reveals something previously inaccessible within a character.
Variations on a Theme
The Sounds of Now: Tristan Murail and Sounding StasisChadwick Jenkins02.Jul.08 What happens to the ear when it receives musical sound? Do we hear "our" music as music and the rest as noise? 
The Practicality of the Impossible: John Cage and the Freeman EtudesChadwick Jenkins02.May.08 John Cage replaces the comforting order of the cosmos with the recalcitrant, indecipherable organization of a part of the universe. Each sound, radically set off from the others, demands that we hear it in isolation. 
Every Good Boy Does FineChadwick Jenkins21.Feb.08 Required to take a music class in high school I signed up for chorus, but the teacher offered me $50 to drop the class – and other ruminations about learning to play the piano.
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Rabble Without a Cause: Let’s Spice-up the 2008 Election, Iron Chef-Style
By Bill Reagan [22.Jul.08] Pop Goes Philosophy: George W. and J. Peterman, Philosophically Speaking
By George Reisch and Norah Martin [16.Jul.08] Negritude 2.0: Retelling the History of Black Music: Everything You Know about the Blues Is Wrong
By Mark Reynolds [3.Jul.08] Variations on a Theme: The Sounds of Now: Tristan Murail and Sounding Stasis
By Chadwick Jenkins [2.Jul.08] |
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