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Minus, played by Lars Passgård, in Bergman's Through a Glass Darkly
The Profound Consolation: The Use of Bach's Music in the Films of Ingmar Bergman (Part 2)Variations on a Theme[15 November 2006] by Chadwick JenkinsIn the second installment of an ongoing discussion of Bach and Bergman, Jenkins examines the communicative power of Bach's sarabande in Through a Glass Darkly.
Variations on a Theme
The Sounds of Now: Tristan Murail and Sounding StasisChadwick Jenkins02.Jul.08 What happens to the ear when it receives musical sound? Do we hear "our" music as music and the rest as noise? 
The Practicality of the Impossible: John Cage and the Freeman EtudesChadwick Jenkins02.May.08 John Cage replaces the comforting order of the cosmos with the recalcitrant, indecipherable organization of a part of the universe. Each sound, radically set off from the others, demands that we hear it in isolation. 
Every Good Boy Does FineChadwick Jenkins21.Feb.08 Required to take a music class in high school I signed up for chorus, but the teacher offered me $50 to drop the class – and other ruminations about learning to play the piano.
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Subversive Rock Humor: Esquerita: The Other Originator of Rock ‘n’ Roll Camp
By Iain Ellis [1.Aug.08] Rabble Without a Cause: Let’s Spice-up the 2008 Election, Iron Chef-Style
By Bill Reagan [22.Jul.08] Pop Goes Philosophy: George W. and J. Peterman, Philosophically Speaking
By George Reisch and Norah Martin [16.Jul.08] |
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