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Bibi Andersson and Liv Ullmann in Ingmar Bergman's Persona (1966)
The Profound Consolation: The Use of Bach's Music in the Films of Ingmar Bergman (Part 3)Variations on a Theme[3 January 2007] by Chadwick JenkinsWhat Vogler hears in Bach is both the acknowledgement of the eternal sameness of our lives and the spiritual longing for untainted pure being -- Bach attains transcendence only through the transmutation of human despair and eternal sameness.
Variations on a ThemeThe Sounds of Now: Tristan Murail and Sounding StasisChadwick Jenkins02.Jul.08 What happens to the ear when it receives musical sound? Do we hear "our" music as music and the rest as noise? The Practicality of the Impossible: John Cage and the Freeman EtudesChadwick Jenkins02.May.08 John Cage replaces the comforting order of the cosmos with the recalcitrant, indecipherable organization of a part of the universe. Each sound, radically set off from the others, demands that we hear it in isolation.
Every Good Boy Does FineChadwick Jenkins21.Feb.08 Required to take a music class in high school I signed up for chorus, but the teacher offered me $50 to drop the class – and other ruminations about learning to play the piano.
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