22 June
Brave
Directors/co-writers Mark Andrews and Brenda Chapman need to thank Cars 2. No, really. Without that less than stellar Pixar release, the duo would be facing the daunting task of holding up the company’s constantly complained about “perfect record”. Now, as long as they deliver something significantly better than that overdone spy spoof with anthropomorphic vehicles, they will have saved the studio or at the very least, it’s reputation. Of course, there is always the unnecessary comparisons to Dreamworks’ delightful How to Train Your Dragon to contend with, though this storyline seems miles away from that fine family film. No matter, it’s Pixar, so it’s probably awesome.
22 June
Abraham Lincoln: Vampire Hunter
The last time we heard from director Timur Bekmambetov on this side of the pond, he was delivering the sleeper action epic Wanted. That was back in 2008. Since then, he flexed his production muscles (The Darkest Hour, Apollo 18) while looking for the right project to spark his insane imagination. This unusual alternate history of the country’s 16th President was apparently right up his alley and one look at the amazing trailer confirms this. The visual aplomb alone is mind-boggling, and the set-pieces, featuring an axe wielding Commander in Chief are astonishing. As long as he doesn’t overstep his bounds, this could be one of 2012’s best.
22 June
Seeking a Friend for the End of the World
Who says the high concept comedy is dead. This sounds like something that would have been greenlit during the days of Twins and Junior. As an asteroid bares down on Earth, guaranteeing its destruction, Steve Carell teams up with his British neighbor, Keira Knightley, to find his old childhood sweetheart. Written and directed by Lorene Scafaria (of Nick and Nora’s Infinite Playlist fame) one senses an excess of eccentricity here. Still, the concept is engaging and Carell can be quite compelling when he’s not mugging aimlessly at the camera. Definitely on our “must see” radar.
22 June
To Rome With Love
Woody Allen recently announced that he would return to the US and his native New York for his next film. This after lighting up France with Midnight in Paris (and earning yet another Oscar for screenwriting) and then turning his sites on another cinematic inspiration, Italy. Sadly, some have suggested that this addled anthology shows off his ugly American side. In our opinion, anything that champions the horrific Roberto Benigni earns our instant disapproval and it’s a shame, really. We have been hoping for an Allen renaissance for a long time now. This doesn’t appear to be it.










































